In 1807 the 9th earl of Winchelsea built a rustic retreat deep in woodland in his park at Burley-on-the-Hill. The building was known as ‘The Hermitage’, and soon became the subject of tales which were somewhat fanciful, even in the fantastical world of follies.
Rustic shelter
The Summerhouse, Sticklepath, Devon.
On the quiet main street that runs through the village of Sticklepath, near Okehampton, stands a former works known as the Finch Foundry. It has been redundant since the 1960s, and is now a museum. Passing through an arch to the side of the works, the visitor is surprised to find a tranquil garden and beyond it a burial ground where the only noise is the rumbling of the river Taw. In the corner of the burial ground is a little thatched shelter, and more recently it has been joined by the most perfect of nineteenth-century rustic summerhouses.
The Gothic Cottage, Stourhead, Wiltshire
Wandering in the glorious landscape that is Stourhead in Wiltshire there are vistas to grand classical temples and gothic monuments, but there is also a pastoral scene featuring a pretty little rustic cottage which has inspired artists – from painters to designers of tourist souvenirs – over the centuries.
The Hermitage, Mulgrave Castle, North Yorkshire.
In 1839 the Marchioness of Normanby wrote to her husband from the couple’s seat at Mulgrave Castle, on the Yorkshire coast just north of Whitby. Amongst other news, she told him of progress on the ‘new hermitage’ which was then being built, and of the views which were being opened in the woodland.
The Summerhouse, Stratfield Saye, Hampshire
After his great success in keeping Great Britain safe from Napoleon Bonaparte, the Duke of Wellington was asked to choose an estate which would be funded by a grateful nation. In 1817 he saw Stratfield Saye, and decided to make it his home. He lived there until his death in 1852, and it remains the seat of his descendants. In 1845 Queen Victoria announced that she and Prince Albert, together with their courtiers, were coming to stay with the ‘good old Duke’.
Cullaloe Temple and Tower, near Aberdour, Fife
In the 19th century Cullaloe stone was much in demand as a building material: it was widely used in Scotland and England, and exported to Europe and as far as the Caribbean. But in the shadow of the quarries is an abandoned pleasure ground that is home to this beautifully constructed little temple – a perfect demonstration of the colour and quality of the stone. At the other end of the grand terrace on which it stands is a curious rustic tower.
The Resiance and The Resianette: two ‘distinctly novel structures’.
In 1903 William Wood and Son, horticultural specialists to His Majesty the King, placed an advertisement in The Garden magazine announcing two new introductions to their range. These were exotically named summerhouses: the ‘Resiance’ and its little sister the ‘Resianette’. The magazine also ran a feature in the same month (actually lifted from a Wood & Son circular), in which the writer announced that ‘we here present two pictures of distinctly novel structures which appear to be very much in advance of ordinary summer houses’.
The Pagoda, Cardross, Stirlingshire
This curious rustic structure once stood in the grounds of Cardross House in the parish of Port of Monteith, near Stirling. It was built by the estate gardener in around 1853, and according to a picture postcard it became known as ‘the Pagoda’. A family memoir however records it by the rather charming name of The Foghoose.
Follies and Pharmaceuticals: a Curious Concoction
Barbara Jones is best known to readers of these pages as the author of Follies & Grottoes (1953, revised 1974), the first book to consider the subject of garden and landscape buildings in any detail. She also wrote books about popular art, erotic postcards and furniture amongst other subjects, and as an illustrator and designer her work appeared in magazines, on calendars, dustjackets, greetings telegrams and much, much more.
The Grotto, Rydal Hall, Cumbria
At Rydal Hall in Cumbria is an unassuming little garden building. It was built by Sir Daniel Fleming, in the last years of the 1680s, as a summerhouse from which to view of one of the series of cascades on the Rydal Beck that flowed though his estate.