architecture, Folly, landscape, Monument

Follies: the Pleasures of the Journey

Blaise Castle, Bristol, drawn by Paul Sharp and featured on the back cover of 'Follies'

Late in 1963, a series of books was published with an eye for the Christmas market. Three of the titles featured British landmarks in the form of Bridges, Monuments, and Follies, and they were launched in time for ‘Christmas reading, New Year travelling’. Whilst Sir Hugh Casson, as editor of the series, was the big name to capture the attention of shoppers, the real heroes were Paul Sharp who provided the wonderful whimsical illustrations and bold design, and the writer E.M. Hatt, whose bright prose is a delight to read.

architecture, eyecatcher, Folly, garden history, hampshire, landscape, Mausoleum, Monument, pyramid

The Horse Monument, Farley Mount, Hursley, Hampshire

Photo courtesy of John Malaiperuman

High in Hampshire stands this imposing monument. It marks the resting place of a heroic horse, which managed not only to survive a leap into a deep pit, rider intact, but went on to win a great race the following year. That rider was Paulet St John (1704-1780) of Farley Chamberlayne. Alongside his sporting exploits, he found time to be a Member of Parliament and Mayor of Winchester, and was rewarded in 1772 when he became Sir Paulet St John, baronet.

But to go back forty years to 1733: when out ‘a foxhunting’ St John misjudged the terrain and found himself leaping into a chalk pit which was 25 feet deep. Somehow, neither man nor mount was injured, and the horse went on to win the Hunters’ Plate at Winchester the following year. The tale, as told on the monument, is that St John celebrated his lucky escape by entering the horse in the race under the name of ‘Beware Chalk Pit’, although a diligent writer in the Sporting Magazine of 1840 searched back in the records and concluded that the horse was actually better known as a chestnut called (unimaginatively) Foxhunter.

The monument as seen in Vol. I of ‘A General History of Hampshire…’ by Woodward, Wilks and Lockhart, published in 1861

Exact dates for the death of the horse, and the erection of what became known locally as ‘the ‘Horse Monument’, seem to be lost. The mound on which it stands is thought to be Bronze Age, but with modern interventions, and it was once the site of a beacon. Most sources suggest the monument was built in 1795, but as this was 15 years after St John died it must be earlier, and almost certainly before 1772, as the inscription does not record St John’s baronetcy. On Taylor’s 1759 map of Hampshire the site is marked as ‘Beacon Hill’, but no building is indicated (although frustratingly this doesn’t mean it wasn’t there). However by 1791 when Milne’s map of the county was made, ‘Beacon Hill’ is shown complete with a building on the summit. By the time the 1st series Ordnance Survey map was published in the 1810s the building had become known as the ‘Farley Monument’.

In 1863 the monument was described as ‘somewhat dilapidated’ and it was covered with graffiti as a result of ‘vulgar Vandalism’ (presumably it had stood strong against the weather, because of course in Hampshire hurricanes hardly ever happen…). It was restored by the Rt Hon Sir William Heathcote, Bt, of Hursley in 1870, and it seems that it was actually more of a rebuild than a repair. In 1846 it was described as a ‘miniature pyramid’ and an engraving published in 1861 (above) shows a cube with a pyramid roof, much simpler and squatter in form than the current structure. A most unexpected source, of which more later, described it in 1848 as ’20 feet high’, whereas the present pyramid reaches over 32 feet (10m).

Farley Mount by William Savage (1817-1887). This wonderful photograph was taken in 1870, the year the monument was rebuilt. Sadly we don’t know the identity of  the elegant top-hatted gentleman by the folly.  Image courtesy of Hampshire Cultural Trust, WINCM;PWCM4674.

Post-restoration, the cube base had disappeared and an elegant elongated pyramid had appeared in its place. There are porches on each face: one contains an entrance and the other three are blank. Inside a room was constructed so ‘way-farers and picnic parties may rest and be thankful’. Heathcote replaced the original inscription with two plaques (one inside, one on the exterior), adding for posterity his own role in the building:

SEP.  A. D. 1870

Early 20th century postcard, courtesy of a private collection.

The monument needs regular maintenance. It was restored in 1950, and again at the beginning of the current century, when the question of whether it was actually an equine mausoleum (which it had been called since at least 1798), was raised. A basic investigation found no trace of the horse, but it did confirm that the building had been constructed in ‘two phases’. This restoration involved stripping off the old render and removing and replacing the decayed outer skin of brickwork. Once rebuilt the pyramid was re-rendered with lime mortar and painted. In 2014 further renovation and repainting was required to keep the monument looking its best. Since the early 1970s the surrounding land has been a country park with the grade II listed monument dominating the landscape.

Photo courtesy of John Malaiperuman.

But to return to the unlikely source of the measurement of the tower: in 1848 a Geometry and Mechanics examination paper for the Winchester Diocesan Training School, asked the following question: ‘The “Horse Monument” on Farley Mount is a pyramid of brick-work 20 feet high, built upon a mound 30 feet high; supposing the materials to weigh 8 tons, how many units of work were expended in raising them from the foot of the mound to their present position?’

If that’s too taxing, have a listen to a brief 1937 clip about the folly on Pathé News. Having sneaked Professor Henry Higgins into the text earlier, he would surely have approved of the clipped pronunciation of “Hempshire”

Photo courtesy of John Malaiperuman

The fabulous colour photos used here are all courtesy of John Malaiperuman, the conservation architect who led the 2014 restoration. You can see more of his work here

For Farley Mount Country Park


architecture, belvedere, East Sussex, eyecatcher, Folly, garden, garden history, landscape, Monument, Tower

Gibraltar Tower, Heathfield Park, East Sussex

The Gibraltar Tower by Chris Broughton (1949-2015) as featured in 'Rockingham Whig Landscapes', New Arcadian Journal 71/72 (2013). Image courtesy of the New Arcadian Press.

In 1791 Francis Newbery, bought Bailey Park, an estate in East Sussex, which he renamed the Heathfield Park Estate. Almost immediately he set to work constructing this elegant tower on high ground in his park. The Folly Flâneuse has joined forces with The Garden Historian to elaborate on its history.

architecture, Dumfries and Galloway, eyecatcher, Folly, landscape, Monument, Obelisk, Scotland

The Murray Monument, near Newton Stewart, Dumfries & Galloway

High above the wonderfully scenic A712 from New Galloway to Newton Stewart, in the Scottish Lowlands, stands this granite monument. After a stiff climb up the hillside the views are breathtaking in both senses: the ascent will leave you short of breath, but you will gasp in awe at the views.

architecture, East Riding of Yorkshire, Monument, Tower

The Clock Tower, Airmyn, near Goole, East Riding of Yorkshire

In the first half of the 19th century the Airmyn estate, on a bend in the river Aire, was owned by George Percy, the 2nd earl of Beverley (1778-1867), a grandson of the 1st duke of Northumberland. He was admired as a benevolent landlord who took care of his tenants, and in 1834 he endowed the village with a Sunday School. In the mid 1860s the tenants ‘unanimously decided to erect a testimonial’ in honour of his ‘kindness and liberality’. This tribute took the form of a charming clocktower, far from folly, but an ornament to this tranquil and very pretty riverside village.

architecture, eyecatcher, Folly, garden, garden history, landscape, Monument, Triumphal Arch, West Yorkshire

Independence Day: The Arch, Parlington Park, Aberford, West Yorkshire.

Parlington Park is close to Aberford, south of Wetherby, on the old Great North Road. An architectural highlight of the landscape park is this Triumphal Arch, constructed in the early 1780s to definitively declare Sir Thomas Gascoigne’s stance on the ongoing war with America. Its inscription begins LIBERTY IN N AMERICA TRIUMPHANT, an unequivocal statement that Sir Thomas was firmly on the side of the colonists. The Folly Flâneuse has written about the arch before, but is revisiting to mark the Fourth of July, Independence Day in the U.S.A., and to look at a very curious moment in the modern history of the monument.

architecture, belvedere, Column, eyecatcher, Folly, garden, garden history, landscape, Monument, Northumberland, Observatory, Tower

Brizlee Tower, Alnwick, Northumberland

Brizlee Tower. Photo' courtesy of Robin Kent Architecture and Conservation.

Brizlee Tower* stands high on Brizlee Hill, near Alnwick, and overlooks Hulne Park, a detached pleasure ground close to the Duke of Northumberland’s principal park at Alnwick Castle. It was built in the late 18th century as a prospect tower and eye-catcher, and also as an object to be visited on a drive from the castle through Hulne Park. The park was designed by ‘the inimitable Brown’, aka Capability, working with local engineers and designers, and was also home to the ruins of mediaeval Hulne Abbey, embellished and repurposed by the Duke and Duchess as a banqueting house, pleasure garden and menagerie for exotic pheasants. This is one of The Folly Flâneuse’s favourite follies: the detail is just so joyful, or as historian Alistair Rowan so wonderfully put it: ‘at Brizlee there is fantasy and flamboyance’.

architecture, belvedere, eyecatcher, Folly, landscape, Monument, North Yorkshire, Obelisk, Tower

Lund’s Tower and Wainman’s Pinnacle, Sutton in Craven/Cowling, North Yorkshire

The Folly Flâneuse is playing safe here with the locations of these two structures, as the inhabitants of the villages of Cowling and Sutton in Craven, south of Skipton, each claim a monument as their own. Locals are at least agreed on a nickname: for very obvious reasons the tower and pinnacle are known as the Salt and Pepper Pots.