In a field close across the road from the principal entrance to Hodnet Hall in Shropshire are what appear to be the remains of a classical temple. Three Ionic columns are intact, two of which support a fragment of pediment, and a fourth pillar is in ruins. But whilst the columns are Georgian in date, this is not the ruin of an 18th century landscape ornament, for the eye-catcher was only erected in the 1960s.
Shropshire
Duke of Sutherland Obelisk, Lilleshall, Shropshire.
In July 1833 the 1st Duke of Sutherland died. Tenants on his estates in Staffordshire (Trentham), Scotland (Dunrobin) and Shropshire quickly made plans to commemorate the man they considered a benevolent landlord – according to the inscriptions that is: the Duke was not quite as revered as the tributes might suggest. In Shropshire the tenants on the Lilleshall estate decided to erect an obelisk on Lilleshall Hill, high above the village, and by November the foundation stone had been laid. By the end of the century the obelisk had been struck by lightning (twice) and had caused some embarrassment for the editor of a local paper.
Haughmond Castle, Uffington, Shropshire
Sundorne House in Shropshire was the seat of the Corbet family and the estate included the picturesque ruin of Haughmond Abbey. In 1774 John Corbet added a dramatic eye-catcher to the ensemble – a sham castle on the summit of Haughmond Hill.
The Tong Knoll Monument & Tower, Shropshire.
On high ground in Weston Park, ancestral seat of the earls of Bradford, stands this prospect tower. Although Weston Park is in Staffordshire, the knoll on which the tower stands is just over the border into Shropshire, and it was formerly home to another monument, allegedly built for the most repulsive of reasons.
Badger Dingle, Shropshire
The Temple, now in the care of The Landmark Trust
Badger Dingle, north east of Bridgnorth in Shropshire, was created by Isaac Hawkins Browne in the 1780s and ‘90s. He constructed a new mansion, Badger Hall (demolished 1950s), to the designs of James Wyatt whilst at the same time employing William Emes, and probably his associate John Webb, to create a pleasure ground. Lakes were created in the valley bottom and a circuit walk took visitors through the ‘ornamented cultivated side’ of the valley, which looked across to the ‘purely sylvan’ scene of the opposite bank. An early account describes a picturesque scene of alpine planting and colourful shrubs.