Skelton Tower stands high above Levisham in the North York Moors National Park. Once a moorland retreat, it is now a remote and romantic ruin.
A building that needs little, if any, introduction: the ne plus ultra of follies. But one that continues to perplex, as no architect has ever been identified for this the most ornate and glorious of garden buildings, erected in 1761 for Lord Dunmore. Very few early accounts can be found, but in 1768 a visitor wrote of emerging from woodland to find a pleasure house of which the ‘top part is built exactly in the form of a pineapple’.
The flanking walls supported glasshouses, and were heated to enable the growing of fruit – including pineapples, presumably. Adjacent to the ‘beautiful Pine-apple Summer house’ were four lodging rooms for the gardeners.
The Pineapple centrepiece is now leased by the Landmark Trust and provides lodging rooms for holidaymakers. The grounds and walled garden belong to the National Trust for Scotland, and are in need of a little love and attention when funds are available.
A brief post this week as the Folly Flâneuse is taking a week off to catch up after a Scottish sojourn (so expect more delights from that trip) and will then be heading off once again in pursuit of pavilions and on the trail of towers. Thank you for reading.
For stays in the Pineapple see https://www.landmarktrust.org.uk/search-and-book/properties/pineapple-10726/#Overview
The National Museum of Wales owns two fine oil paintings of Margam House, viewed from the north and the south, completed sometime around the turn of the 17th century. A closer look reveals a substantial garden pavilion, known as the Banqueting House, at a little distance from the house. Margam’s mansion has been remodelled a number of times, and the Banqueting House too has seen some changes: it was relocated in the 19th century and survives today as the facade of a very imposing cottage.
In the mid-19th century, the inhabitants of the rapidly-expanding town of Nottingham could spend their leisure hours at the Radford Grove Tavern and Tea Gardens. Here they could row on the lake, attend dances, and admire the view from the roof of a very pretty ‘Octagonal Pleasure House’.
In the middle of the 18th century, Viscount Bateman of Shobdon Court decided to remodel the Romanesque church on his estate. Demolishing all but the tower, he created an enchanting building with exquisite interiors in the fashionable gothick style. Although later accused of ‘wanton destruction’, Bateman did at least recognise the value of fragments of the earlier church, and had them re-erected as an eye-catcher at the end of an avenue in the park.
High above the town of Buxton, in Derbyshire, stands a squat circular belvedere known as Grinlow Tower, after the hill on which it stands, or, more usually, as Solomon’s Temple. It was built by public subscription in 1896, replacing an earlier structure that had collapsed. But as is so often the case with folly towers, sorting the fact from the fiction is quite a challenge.
Sir Charles Barry is usually remembered as the architect of grand Victorian edifices like the Palace of Westminster, and for remodelling country houses such as Trentham in Staffordshire and Harewood in Yorkshire. But he was also happy to take on smaller projects, and in 1845 this elegant obelisk was erected to his design in a distant corner of the Bowood estate of the Marquess of Lansdowne.
Bretton Hall, near Wakefield, is now best known as the home of the Yorkshire Sculpture Park, where artworks have been displayed in the open air, and in purpose built galleries, since 1977. But long before these works arrived, the park was home to a collection of ornamental garden buildings, including the enchanting tiered tower called Bella Vista.
High above the valley of the River Towy stands a sturdy, and seemingly invincible, tower. It was built to commemorate Admiral Lord Nelson, but within a century it was falling into decay, and it only narrowly escaped conversion into a cowshed.
Conishead Priory, as the name suggests, was a religious house, but after the dissolution it became a private home. In the middle of the 18th century it was home to Thomas Braddyll (1730-1776) who created new pleasure grounds around the Priory, including a number of ornamental features.