Root houses, so named because they incorporated natural materials such as tree trunks, branches, bark, moss or heather, became key features of gardens and parks in the 18th century. Richard Payne Knight summed up the genre in his poem The Landscape in 1794
The cover’d seat, that shelters from the storm,
May oft a feature of the landscape form,
Whether composed of native stumps and roots,
It spreads the creeper’s rich fantastic shoots;
Born 200 years ago this month, on 8 February 1819, John Ruskin was a polymath; an artist, writer and critic who believed that culture should be available to all, not just the elite. As a new exhibition in London beautifully illustrates, Ruskin had strong opinions on most subjects. As he thought the architecture of Palladio ‘virtueless and despicable’, and the Houses of Parliament ‘effeminate and effortless’, we can probably assume that garden ornaments such as classical temples and gothic towers would not be his ‘thing’.
By the early 18th century Hornby Castle was a seat of the D’arcy family, earls of Holderness. Robert D’arcy, the 4th earl, began to improve the estate from around 1750 with John Carr of York remodelling the castle and associated buildings, including three eye-catcher farmhouses to be viewed from the castle and the network of rides around the estate. Capability Brown was paid for his services in 1768 and although it’s not known exactly what he proposed, as no plan survives, the series of lakes in a very Brownian style were constructed over the next decade.
