In the 19th century Cullaloe stone was much in demand as a building material: it was widely used in Scotland and England, and exported to Europe and as far as the Caribbean. But in the shadow of the quarries is an abandoned pleasure ground that is home to this beautifully constructed little temple – a perfect demonstration of the colour and quality of the stone. At the other end of the grand terrace on which it stands is a curious rustic tower.
Summerhouse
The Arbour, Dove Nest, Cumbria
This unassuming little garden arbour has provided shelter for some of the greats of the 19th century – although the name of only one will be widely recognised today. It was built as a retreat in the grounds of a ‘small Gentlemans House’ called Dove Nest, which ‘stands on a sweet Wooded eminence with a fine grass Knoll in front which commanded a noble view of great lake of Windermere and the fells beyond.
The Folly, Benington Lordship, Hertfordshire
In the grounds of Benington Lordship, an early 18th century mansion near Stevenage in Hertfordshire, is a sham ruin on a grand scale. Constructed in the 1830s it combined the roles of eye-catcher, gateway, smoking room and banqueting hall in one rambling structure.
The Temple at The Lees, Coldstream, Borders
In the border town of Coldstream a footpath leads from a lodge down to the river Tweed. The route passes an ice-house shaded by trees before a stroll along the riverbank brings one to an elegant stone temple. The Temple ornamented the landscape of a grand Georgian mansion called The Lees, which was largely pulled down in the 1970s.
The Lees (sometimes just Lees) was the seat of the interrelated Pringle and Marjoribanks (pronounced Marchbanks) family. In 1760 a traveller noted that ‘Mr Pringle has built a handsome house, and made a beautiful plantation’: ‘Mr Pringle’ was James, who died in 1769 leaving the estate to his cousin Edward Marjoribanks.
The temple was extant by 1769 when a historian noted Mr Pringle’s ‘modern seat’ as well as the ‘octagonal tempiato’ on the banks of the river. It is shown as an existing feature on a ‘Design for the improvement of Lees’ by the Edinburgh based designer Richard Stephens (?-1821) dated 1816. Stephens’ family business was in ‘draining, irrigating and embanking’, but he also drew up improvement plans for a small number of Scottish estates.
The Temple is named as such on the 1st edition Ordnance Survey map of 1858. The map shows the Temple and the Ice House as well as an array of summerhouses and seats that are lost today, and the surveyors preparing the map noted the ‘considerable and well laid out pleasure grounds’. Historic England Scotland incorrectly date the structure to the ‘later 18th century’ and it is listed as Category B.
By the middle of the 20th century the house at The Lees was in a very dilapidated condition and the then owners were only interested in the fishing rights. In 1975, when all attempts to find a buyer or a purpose had been exhausted, permission was granted to demolish. By that date the house was owned by Andrew Douglas-Home, nephew of the former Prime Minister (which information the Flâneuse shares simply so the headline in The Scotsman can be understood: ‘Doom for House of Home’). The paper reported that whilst the Scottish Civic Trust and the Scottish Georgian Society thought the case was ‘one of the saddest ever’, they accepted that there was no alternative to demolition.
Douglas-Home had a long term plan to build a new house on the site, and for that reason the circular central section won a reprieve and was left standing.
Towards the end of the 20th century it was incorporated into a new house designed by Nicholas Groves-Raines, which has since been further extended.
As briefly mentioned the Tweed is of course famed for salmon, and the wide stretch of river in front of the Temple became known to fishermen as ‘Temple Pool’, as seen in this postcard view (which helpfully points out that in Coldstream the river is the border between Scotland and England).
After the Right to Roam was introduced in Scotland Mr Douglas-Home created a footpath through his grounds and down to the river. Walkers are welcome but are requested to keep to the path and to respect the usual rules of the countryside (and to give Mr Douglas-Home a cheery hello if you see him out and about).
Thank you for reading and do please get in touch if you have any thoughts or comments – scroll down to the bottom of the page to make contact.
The Resiance and The Resianette: two ‘distinctly novel structures’.
In 1903 William Wood and Son, horticultural specialists to His Majesty the King, placed an advertisement in The Garden magazine announcing two new introductions to their range. These were exotically named summerhouses: the ‘Resiance’ and its little sister the ‘Resianette’. The magazine also ran a feature in the same month (actually lifted from a Wood & Son circular), in which the writer announced that ‘we here present two pictures of distinctly novel structures which appear to be very much in advance of ordinary summer houses’.
The Temple, Crow Nest Park, Dewsbury
When first built the handsome gazebo in the grounds of Crow Nest in Dewsbury would have had views over the estate’s fine gardens and pleasure grounds. At the end of the 19th century Crow Nest was bought for the people of Dewsbury, and has now been a public park for 130 years. The Temple remains an ornament to the park, but sadly today it has a rather forlorn appearance.
The Arbour, Peckover House, Wisbech, Cambridgeshire
In the 18th century Bank House in Wisbech became home to the Peckover family, and as well as providing a family home it housed their banking business, which became a great success. Over time they acquired further land and extended the gardens behind the adjacent properties, and built garden buildings including this striking summerhouse. In 1943 the house and grounds were given to the National Trust by the last surviving descendant, and the property was renamed ‘Peckover House’ to commemorate the family.
The Pagoda, Cardross, Stirlingshire
This curious rustic structure once stood in the grounds of Cardross House in the parish of Port of Monteith, near Stirling. It was built by the estate gardener in around 1853, and according to a picture postcard it became known as ‘the Pagoda’. A family memoir however records it by the rather charming name of The Foghoose.
The Museum, Enville, Staffordshire
Enville, together with Hagley and The Leasowes, was one of the triumvirate of famed eighteenth-century Midland estates. The seat of the Earl of Stamford, it was ornamented with a variety of features: some have disappeared over the years, but fortunately many survive. A number of regular readers were intrigued by the image of the exquisite Museum at Enville which appeared in these pages in April, and asked to know more. So the Folly Flâneuse asked The Garden Historian, aka Dr Michael Cousins, to explain its history…
Various contenders for designer of the unusual garden building have surfaced: Sanderson Miller, the gentleman (i.e. amateur) architect who favoured the Gothick style, for one. Discussion with his mason about ‘Ld Stamfords Green House’ was underway in October 1749 and he spent the rest of that month, and most of the next, drawing up a design. Miller (1716-1780), besides his own inclination to the ‘Gothick’, had a well-stocked library to call upon that included Batty Langley’s Ancient Architecture Restored and Improved (1741/2). This was a pattern book which builders and owners used for ideas, and may have provided inspiration. By June 1750 William Shenstone, the poet and acquaintance of Stamford, was able to note the new ‘Gothick Greenhouse’ at Enville.
By 1756 Miller’s building had been renamed, with the peregrinatious Dr Pococke noting an elegant ‘Gothick Summer house of Mr Millers design’. Clearly then the greenhouse and summerhouse were one and the same building, and although it has been suggested that the first incarnation of the greenhouse was a wooden structure, no evidence has come to light to support this.
Sandy Haynes, the former archivist at and authority on Enville also concludes that the greenhouse and summerhouse were two names for the same building, writing that: ‘Sanderson Miller’s name is mentioned by too many different sources to be discounted and although Pococke refers to it as a summer-house there is no other building at Enville that he could be describing.’ Sadly no records seem to survive in which the exact use of the building is noted, so we don’t know for sure if the building ever housed plants or was simply a pleasure pavilion, or dual purpose.
By 1770 the building had been repurposed as a billiard room. Joseph Heely’s guidebook of c.1773 described it as being fitted out with a billiard table, a chamber organ, and ‘the inside richly adorned with stucco, the cieling remarkably so’. This work is more difficult to date: Haynes believes that it was during the transition to billiard room that the building acquired its elaborate interior plasterwork, and this brings in another contender: Henry Keene (1726-1776). This rare photograph of the inside of the building as it was in March 1952 shows stucco work that bears a strong resemblance to that in the chapel at Hartlebury Castle in Worcestershire, which Keene refitted and reroofed in the Gothic style in around 1750.
The association between Miller and Henry Keene was strong, with the two working together at Hagley in Worcestershire, Chart Park in Surrey and at Arbury in Warwickshire (where Keene probably took up reins as architect following Miller’s deteriorating mental ill-health at the end of 1759) and it is possible that he undertook the interior work of Enville’s summerhouse. To add to the naming confusion the summerhouse was referred to as a ‘Gothic room’ in 1759, yet was still being called a greenhouse by a visitor as late as 1777.
In 1846, soon after the 7th Earl of Stamford inherited, it was refurbished as a Museum for the display of ‘shells, fossils and curiosities’, and that name has now stuck for almost two centuries. By the middle of the twentieth century the building had decayed significantly and its plight gained public attention. Ultimately the principal structure was restored and reroofed by William Hawkes of Cave-Browne-Cave architects in 1988-9. The interior awaits restoration.
There was another Gothic feature at Enville, a ‘Gothic Seat’ which is sometimes misinterpreted as Miller’s building. It is mentioned in a letter of 1754 from John Ivory Talbot of Lacock Abbey to Miller ‘at Enville we saw an Horrid Massacre of a Fine Gothick design of yours: committed by the Hands of some Shrewsbury man…’ (it was an occasional hazard for architects to have their plans tweaked by owners or masons as soon as their backs were turned). Haynes believes it was the Gothic Seat sited at the west edge of Essex Wood that Talbot was referring to – no views survive, and it fails to get mentioned in any visitors’ accounts after 1759 and so probably disappeared soon after.
Enville is a private estate but opens very occasionally for special events. Keep an eye on their website for details https://envilleestate.com
Please get in touch if you have any thoughts or further information – scroll down to the bottom of the page to find the comments box. Please note that your email address will not be published – only your name will appear. Thank you for reading, and thank you to Michael for this guest post.
The Summerhouse, Stella Hall, County Durham
On the former Stella Hall estate, high on the south bank of the River Tyne, are the remains of an elegant octagonal pavilion which gave its name to this lofty spot: Summerhouse Hill.