Sir George Staunton bought the Leigh Park estate in 1820, and set to work remodelling the house and ornamenting the park with an eclectic range of garden buildings. Many are sadly lost today, but a programme of restoration, in what is now Staunton Country Park, is bringing some of the survivors back to life. One of the loveliest of the garden ornaments is this exquisite little Shell-House.
High above Newby Bridge in Cumbria (formerly Lancashire) stands Finsthwaite Tower. When first built it was a prominent landmark on a bare hill, and commanded an extensive prospect of sea, lake and mountains. The tower was built by James King of Finsthwaite House as an ornament to the landscape, and as a monument to naval prowess. And to start 2022 with some really good news, after decades of decay the tower has a new owner, and a new lease of life.
Skelton Tower stands high above Levisham in the North York Moors National Park. Once a moorland retreat, it is now a remote and romantic ruin.
A building that needs little, if any, introduction: the ne plus ultra of follies. But one that continues to perplex, as no architect has ever been identified for this the most ornate and glorious of garden buildings, erected in 1761 for Lord Dunmore. Very few early accounts can be found, but in 1768 a visitor wrote of emerging from woodland to find a pleasure house of which the ‘top part is built exactly in the form of a pineapple’.
The flanking walls supported glasshouses, and were heated to enable the growing of fruit – including pineapples, presumably. Adjacent to the ‘beautiful Pine-apple Summer house’ were four lodging rooms for the gardeners.
The Pineapple centrepiece is now leased by the Landmark Trust and provides lodging rooms for holidaymakers. The grounds and walled garden belong to the National Trust for Scotland, and are in need of a little love and attention when funds are available.
A brief post this week as the Folly Flâneuse is taking a week off to catch up after a Scottish sojourn (so expect more delights from that trip) and will then be heading off once again in pursuit of pavilions and on the trail of towers. Thank you for reading.
For stays in the Pineapple see https://www.landmarktrust.org.uk/search-and-book/properties/pineapple-10726/#Overview
In the mid-19th century, the inhabitants of the rapidly-expanding town of Nottingham could spend their leisure hours at the Radford Grove Tavern and Tea Gardens. Here they could row on the lake, attend dances, and admire the view from the roof of a very pretty ‘Octagonal Pleasure House’.
In the early 1940s the artist Rex Whistler completed the illustrations for a book in his breaks from training with the Welsh Guards, working on the drawings in the army huts where he was stationed. The book was The Last of Uptake by Simon Harcourt-Smith, and the reviews agreed that here was ‘the perfect blend of artist and writer’.
The 18th century poet William Cowper (1731-1800) was wont to write his works al fresco in a shelter in a garden or park. His first was a tiny ‘nook’ in his garden in the town of Olney, and he later composed lines in an alcove in the park at nearby Weston Underwood. Both survive today.
‘An ill-treated folly’, wrote folly supremo Barbara Jones of the Carnaby Temple in 1953. The late 18th century landscape ornament, on high land above Boynton Hall, was by then disused and dilapidated, but remarkably intact considering the years of neglect. And so it remains.
High above the little village of Bardsea, near Ulverston, stands this curious structure. With stunning views of Conishead Priory and its landscape, and a sweeping vista over Morecambe Bay, the monument was well described in 1817 as a ‘Monumental Edifice’.
The last decades of the 19th century saw a passion for all things rustic in the garden – seats, arbours, bridges, and above all summerhouses. For as it was said in 1870, a garden summerhouse of some sort was ‘desirable, and indeed almost necessary’.