A little east of the hamlet of Azerley, near Kirkby Malzeard, stands a pretty little cottage with a most unusual feature – from the back of the building rises a slender castellated tower. It was built by the Crompton family of Azerley Hall as a belvedere from which the ‘prospects of the most picturesque description’ were obtained, but it also served as a vantage point to look out for poachers.
Folly
Scribblings on the Wall.
Although vandals in earlier centuries may not have been armed with marker pens and aerosol sprays, they were still keen to leave their mark. Follies and garden buildings, often in remote locations, seem to have been particularly attractive targets. Many seemed to think this activity was perfectly acceptable and used their pencil or pocket knife to leave their full name, clearly identifying themselves as the culprits. Owners tried various tactics to deter the scribblers.
Ragged Castle, Foxley, Herefordshire.
On a wooded eminence on the Foxley Estate, Herefordshire, stands a tower that was built as a belvedere by the Price family in the first half of the eighteenth century. By the middle of the twentieth century it had fallen into disrepair, but was restored in the 1970s with the guidance of an impressive group of experts in the field.
Some Megalithic Follies.
Stimulated by seeing two very different structures, the archaeologist, scientist, gastronome and TV personality Glyn Daniel ‘thought it might be interesting to collect together a few notes about megalithic follies’. As a recognised expert in the field of genuine megaliths, Daniel was well-placed to consider the folly variety. In 1959 he published his thoughts in Antiquity, the journal of which he was editor.
The Bower, Inchbrakie, Perthshire
For centuries the Graeme family lived at Inchbrakie, east of Crieff. The ancient moated Inchbrakie Castle, home to many generations, was replaced by an elegant mansion early in the eighteenth century, but by the later years of the following century the family were selling up, and this little summerhouse commemorates their long association with the estate. It is currently overgrown, but read on and a little more will be revealed.
The Hill Tower, or Lewis’s Folly, Sutton Coldfield, West Midlands.
In the village with the simple name of ‘Hill’, near Sutton Coldfield in what was then Warwickshire, lived retired pawnbroker Hugh Lewis. At the time of his death in 1908, Lewis was remembered as ‘a man of very eccentric habits’ and chief amongst these were the building of a high wall around his house and the erection of a ‘Look out Tower’ on Hill Village Road – inevitably it became known as Lewis’s Folly.
Grant’s Tower, Ramsbottom, Lancashire
Late in the eighteenth century, the Grant family lost their livelihood in their native Scotland and set out to find work in the rapidly developing industries of Lancashire. Pausing to rest on their journey they admired the ‘beautiful valley’ of the River Irwell, which reminded them of Speyside. Decades later they bought the ground, and erected this tower to commemorate that moment.
The Temple, Bandrum, near Saline, Fife
When Archibald Hogg of Bandrum House built this tower as an observatory and summerhouse in the 1840s, Saline had the ‘well-merited reputation of being the Paradise of Fife’. The village, built along the valley of the Saline Burn, is surrounded by hills and from the eminence called Bandrum this tower enjoyed a prospect of the undulating landscape to the Firth of Forth and beyond.
The Temple, Blagdon Hall, Northumberland.
Blagdon Hall stands close to the former Great North Road, a few miles north of Newcastle upon Tyne. At the end of the lake stands a circle of Doric columns known as The Temple. The columns were first erected as part of a rotunda ,with an unusual domed roof, at Heaton Hall, on the edge of Newcastle. Part of the grounds of Heaton Hall later became a public park, but when it looked as if the Temple was going to be a drain on corporation funds, it was removed to Blagdon in around 1937.
Architectural “Follies”: a Victorian view.
In 1857 an anonymous article appeared in The Builder magazine under the title Architectural “Follies”. The author used the word ‘architectural’ to distinguish from examples of folly in literature and art: he thought there were far too many books with an eccentric choice of subject, and that there were many follies ‘perpetuated on canvas’. Sadly, he failed to develop this theme, and the reader is left wondering what exactly he had in mind (the Flâneuse is making the assumption that at this date a journalist writing for a building trade magazine was almost certainly male). Happily, he was a little more forthcoming when he moved on to follies of the built variety.