The rotunda at Stowe in Buckinghamshire was designed by Vanbrugh in around 1720, and stands on a sweeping lawn in front of the grand mansion. In the middle of the 20th century author T.H. White used a little artistic licence, and for the purposes of his story moved it to an island in one of the two lakes. There it became home to a colony of tiny people, and the adventure that is Mistress Masham’s Repose began.
This weekend the country celebrates the 75th anniversary of VE Day. Thinking of the events of 1939-45, the Folly Flâneuse was reminded of a wartime project to document the changing rural and urban face of Britain. At a time when the future seemed uncertain, ‘Recording Britain’ commissioned artists to portray the country as it then was, creating a visual history for future generations.
A brief post this week as The Folly Flâneuse has been racing around at a somewhat faster pace than her usual omnipercipient strolling. However, the lovely images by John Piper will make up for the paucity of words.
After the Easter heatwave the weather broke just as The Folly Flâneuse arrived at Stowe – the photo above shows the view from the grotto, which gave some much needed protection from one of the heaviest of the showers. On the plus side, no-one else was about, and The Folly Flâneuse had Stowe all to herself.
‘What did Delaware?’, asks the old song. Well until January 2020 one part of the state casts off its brand new jersey and dons some brand new follies. Winterthur, near Wilmington, DA., is home to a gallery, museum and library set within 60 acres of garden and surrounded by a further 1,000 acres of park. Winterthur’s founder, Henry Francis du Pont (1880-1969), designed the garden with the architect Marian Coffin, an old friend from childhood. From around 1920 he embellished the estate with garden buildings relocated from nearby estates that were under threat, as well as creating his own follies from recycled architectural fragments.