In 1839 the Marchioness of Normanby wrote to her husband from the couple’s seat at Mulgrave Castle, on the Yorkshire coast just north of Whitby. Amongst other news, she told him of progress on the ‘new hermitage’ which was then being built, and of the views which were being opened in the woodland.
Lady Normanby’s (1798-1882) ‘charming woodland summer-house’ was noted in John Walker Ord’s history of Cleveland, published in 1846. Ord describes it as a ‘pretty tasteful structure’ with a thatched roof supported by rustic oak pillars to ‘harmonise’ with the woodlands around it. The interior was elegantly, but simply, furnished and the Hermitage had views to the mansion and out to sea. Curiously, the view that Ord chose to include in his work does not reflect the summer-house described in his prose.

A family letter of 1852 records further work to create vistas from the Hermitage, and in 1858 the roof was under repair – although work was delayed when a cartload of ling (heather) was mysteriously destroyed by fire on its way to Mulgrave Woods. The charming little building is shown in an engraving dated 1854, with what appears to be a grotto or chamber beneath.

In 1887 the Hermitage was described as a ‘pretty little rustic building’. The octagonal core was said to be ‘composed of Mulgrave cement’, a kind of Roman cement which was made on the estate (although correctly the building had a brick core coated in cement). As well as being used by the family, it was also a ‘favourite resort’ of picnic parties: in the 1880s visitors could request permission to ride around the woods in their carriages.

Romantic tales are told that the Hermitage was built on the site of an ancient religious establishment. This is probably a romantic tale, and in 1897 one writer was disappointed to find that it was ‘nothing more than a summer house of modern construction’. By the 1950s a visitor was saddened by the graffiti on the Hermitage, and it was clearly slipping into decay. Today only a section of wall is still standing, but the Flâneuse knows this only from photos found on social media. Despite a valiant effort clambering up hill and down dale she failed to find it, and a subsequent email to the estate office revealed that what’s left of the hermitage isn’t on a ‘route that is available to the public’.

Nineteenth century visitors to Mulgrave Woods were able to picnic in style as they were permitted to pitch tents for refreshments by the ‘Old Castle’. This was another eye-catcher in the landscape, being an ‘interesting and somewhat extensive ruin’ – the reimagined romantic remnant of a genuine ancient fortification. Landscape designer Humphry Repton suggested in 1792 that this ‘fragment of ancient Baronial importance’ should become an eye-catcher in the landscape, and it was subsequently partially rebuilt from the scattered stones on site.

Although mature trees now block the views, there were once magnificent prospects out to sea from the woods.

Whilst carriages and tents are not permitted in Mulgrave Woods today, the current Marquess and Marchioness continue to welcome visitors to walk in the woods and visit the Old Castle. The woods are open on Wednesdays, Saturdays and Sundays except in the month of May. (Mulgrave Castle is private and the gardens open occasionally for charity).

Thank you for reading. Your thoughts and comments are always welcome – please scroll down to the foot of the page to get in touch.
John Malaiperuman says:
“Rustic” is such a lovely word. i wish we could have more of it in our daily lives and surroundings.
Editor says:
Hello John. I couldn’t agree more. The word conjures up simple pleasures and contentment, as well a particularly lovely architectural style.
TOM GARDNER says:
TOM (NYC)
PERHAPS BECAUSE I WAS IN THE ‘DOMESTIC’ FIELD FOR MY 20’s (now BEING 79), -WORKING FOR MRS. MERRIWEATHER POST – AS A JR. BUTLER (‘MAR-A-LAGO’ – PALM BEACH, FLORIDA & HILLWOOD, WASHINGTON, D.C.), MY APPRECIATION FOR YOUR OFFERINGS OF FOLLIES IS … ‘PERSONAL’.
WHATEVER THE RATIONAL, PERHAPS JUST SIMPLY BEING: ‘AN OLD SOUL’ …
ALLOWS ME TO COMPREHEND:
THE MAGIC, THE BEAUTY – OF SUCH STRUCTURES.
THANK YOU FOR YOUR SHARING.
TOM GARDNER
Editor says:
Hello Tom. This is such a beautiful structure, but although it is sad that it is lost (or almost) it is good to celebrate its history.
Simon Scott says:
Does this link help with the location? Mentions the Hermitage: https://hiiker.app/trails/england/north-yorkshire/mulgrave-woods-and-mulgrave-castle-loop
Have wandered there ourselves but not looking for follies!
Editor says:
Hello Simon. I think this site is a subscription/paid site and I didn’t pursue it when I found it during my research. And as the estate told me after my visit that the site of the Hermitage is private, I decided to just enjoy the memories of what was once there. Thanks for sending the link.
Simon Scott says:
I wondered if, using the basic map on the free to view part of my link, you would be able to work out where you hadn’t walked and therefore narrow down the possible locations for the Hermitage! But, as you say, the site is private. Shame.
Editor says:
Hello again Simon. I was using an old OS map, and really thought I should be able to find it, but alas defeat! I didn’t trespass beyond any private signs, and it was only when I contacted the estate office that I was told it wasn’t in the public area. So we must just remember it as the delight it once was.
Kate Harwood says:
William Atkinson, the architect , who was trained under James Wyatt, was known for his gothic buildings. He invented a patent cement, known elsewhere as Atkinson’s Cement. as a stucco for brick houses to give them the antique look. He sourced his raw material from clay on the Mulgrave estate which was shipped down to Westminster Pier for use on his houses in the south, which included Panshanger in Hertfordshire. is this the same as Mulgrave Cement?
Editor says:
Hello Kate. I’m no expert on cement, but according to relevant websites Mulgrave Cement was also known as Yorkshire or Atkinson cement. Atkinson remodelled Mulgrave Castle early in the nineteenth century, which I believe is the same period he was at Panshanger.