Conishead Priory, as the name suggests, was a religious house, but after the dissolution it became a private home. In the middle of the 18th century it was home to Thomas Braddyll (1730-1776) who created new pleasure grounds around the Priory, including a number of ornamental features.
Cumbria
Braystones Tower, or Watson’s Folly, Braystones, Cumbria
In the late 19th century Braystones was a peaceful hamlet close to the Cumberland coast with views out across the Irish Sea. It was here that William Henry Watson built a tower to commemorate the Diamond Jubilee of Queen Victoria in 1897. Half a century later, the view would change dramatically: were one able to climb the tower today the eye would be first caught by the great mass that is the Sellafield Nuclear Plant.
The Bardsea Monument, Bardsea, Cumbria
High above the little village of Bardsea, near Ulverston, stands this curious structure. With stunning views of Conishead Priory and its landscape, and a sweeping vista over Morecambe Bay, the monument was well described in 1817 as a ‘Monumental Edifice’.
The Temple, Holme Island, Cumbria
Image courtesy of Cumbria Archive Service WDSO/288/2/7.
Holme Island is a small island in Morecambe Bay. It sits close to the coast, not far from Grange-over-Sands in Cumbria (formerly Lancashire). The island was connected to the mainland by a causeway in the 19th century, by which date it was home to a rather special small estate.
Iron Age Monument: The Wilkinson Obelisk, Lindale, Cumbria
John Wilkinson (1728-1808) made his fortune in the iron industry in the second half of the 18th century. Such was his ardour for developing and innovating in his field, that he became known as ‘Iron-mad Wilkinson’, and that passion even included a plan to spend eternity encased in iron.
Pepperpot, Akay, Sedbergh, Cumbria
Sedbergh sits in that part of the Yorkshire Dales National Park which is actually in modern day Cumbria, although historically the town was part of the West Riding of Yorkshire. This little summerhouse now belongs to Sedbergh School, which was established in the town in 1525, and their charitable foundation recently led a restoration project to restore the building for community use.
The Temple of Naval Heroes, Storrs Hall, Windermere, Cumbria
The grandly-named ‘Temple of Naval Heroes’ stands at the end of a narrow causeway that leads from the grounds of Storrs Hall out into the water, offering magnificent views up and down the lake. The temple was constructed by Sir John Legard of Storrs Hall as an ornament to the new house he had built in the last years of the eighteenth century, and as an expression of his patriotism, Sir John being ‘passionately attached to his country’. The octagonal building carries plaques celebrating four great naval victors in the ongoing war against the French– Admirals Howe, St Vincent, Duncan and Nelson.
Fox Tower, Brough, Cumbria
The Fox Tower, just outside Brough in the tiny settlement of Helbeck, is one of those follies built to be both eye-catcher and belvedere. It is a prominent landmark from the long-established road between Scotch Corner and Penrith, now the A66. From the tower there are dramatic views across the Pennines and the Eden Valley.
The Temple, Duddon Grove (now Duddon Hall), Cumbria
Photograph courtesy of Ashworth Walker Architects.
Duddon Grove was once in Cumberland, separated from the Furness peninsula and Lancashire by the river Duddon. A few miles from Broughton-in-Furness, it is tucked away in a quiet corner of the county that is largely free from the tourist hordes. Since the county boundary changes of 1974 it has been in Cumbria. The present house, originally called Duddon Grove, was built by Richard Towers in around 1805, soon after he came into possession of the estate. In the garden stands a very ornate temple with a pediment supported by pillars with Corinthian capitals, and a level of ornamentation not seen on the austere mansion.
John Ruskin and Folly
Born 200 years ago this month, on 8 February 1819, John Ruskin was a polymath; an artist, writer and critic who believed that culture should be available to all, not just the elite. As a new exhibition in London beautifully illustrates, Ruskin had strong opinions on most subjects. As he thought the architecture of Palladio ‘virtueless and despicable’, and the Houses of Parliament ‘effeminate and effortless’, we can probably assume that garden ornaments such as classical temples and gothic towers would not be his ‘thing’.