‘An ill-treated folly’, wrote folly supremo Barbara Jones of the Carnaby Temple in 1953. The late 18th century landscape ornament, on high land above Boynton Hall, was by then disused and dilapidated, but remarkably intact considering the years of neglect. And so it remains.
In 1987 Save Britain’s Heritage (SAVE), the charity which campaigns to save historic buildings from needless destruction, published Pavilions in Peril, a report which considered the great number of garden buildings in Britain that faced an uncertain future. Author Julia Abel Smith researched 54 case studies, including a number of groups of follies, across England, Wales and Scotland. The Folly Flâneuse recently revisited the report, and was delighted to find so many buildings had been rescued.
This weekend the country celebrates the 75th anniversary of VE Day. Thinking of the events of 1939-45, the Folly Flâneuse was reminded of a wartime project to document the changing rural and urban face of Britain. At a time when the future seemed uncertain, ‘Recording Britain’ commissioned artists to portray the country as it then was, creating a visual history for future generations.
Studley Royal, near Ripon, stays comfortably in the upper reaches of the list of most-visited National Trust properties, helped by the fact that the landscape garden features that epitome of eye-catchers, Fountains Abbey. But only a few miles away from Studley’s shops and scones is Hackfall, a tranquil vale* which is sublime, romantic and wild – and totally devoid of facilities. Both were created in the 18th century by the Aislabie family of Studley.
On Sunday, The Folly Flâneuse was one of the happy few who discovered the location of the Secret Salons, three venues which combined the finest music and architecture. As part of Richmond’s annual festival celebrating all things Georgian, the evening was a fundraiser for the town’s Theatre Royal, a unique intact survivor from that era. Participants promenaded between three lovely venues, but of course the one that gave the greatest joy to the present writer was the Culloden Tower.
Clarkson’s History of Richmond, revised in 1821, recounts that Cuthbert Readshaw created a ‘highly romantic walk’ by the Swale in 1760. Cuthbert Readshaw, who died in 1773 was a merchant who lived in the Bailey (ie the market place) in Richmond, and according to his will he was in ‘the business of wine and spirits and other branches of trade’.
To access the walk 18th century visitors would have travelled downhill from the town centre and crossed the river via the Green Bridge. Promenading along the south bank of the River Swale they would have encountered the picturesque scene of leafy Billy Bank Wood (aka Bordel Bank) and occasional artful outbreaks of the craggy rock face behind. Tucked in the woods was the cleft or cave known as Arthur’s Oven, conjuring romantic images of ancient and wilder times.
Recently opened at The Scottish Gallery, in Edinburgh’s handsome New Town, is Place Makers, a new show featuring the work of artists Ed Kluz and Vicki Ambery-Smith.
Badger Dingle, north east of Bridgnorth in Shropshire, was created by Isaac Hawkins Browne in the 1780s and ‘90s. He constructed a new mansion, Badger Hall (demolished 1950s), to the designs of James Wyatt whilst at the same time employing William Emes, and probably his associate John Webb, to create a pleasure ground. Lakes were created in the valley bottom and a circuit walk took visitors through the ‘ornamented cultivated side’ of the valley, which looked across to the ‘purely sylvan’ scene of the opposite bank. An early account describes a picturesque scene of alpine planting and colourful shrubs.