The group of follies and monuments at Wentworth Woodhouse needs little introduction, being one of the finest collections of landscape ornaments in Britain. So this post is just an opportunity for The Folly Flâneuse to remind you that you can climb the Hoober Stand and admire the Monument on bank holidays and Sundays from Spring Bank holiday until late August. And also to use some photographs taken during the wonderful March heatwave.
Now near neighbour to a Rotherham suburb, Keppel’s Column originally stood in open ground on the edge of Scholes Wood on the Wentworth Woodhouse estate. An obelisk had been proposed for the site as early as 1769. Its original purpose was as an eye-catcher to terminate the southern vista from the new principal front of the Wentworth House mansion, balancing the pyramidal Hoober Stand to the north which is dated 1748. Keppel’s Column was clearly visible from the top of Hoober Stand, as was the Lady’s Folly, which featured here recently https://thefollyflaneuse.com/ladys-folly-tankersley-south-yorkshire/. All three ornamental buildings could be seen from each other, and when guests were taken by carriage to climb a tower, or take tea in a summer house, they served to display the vast size of the Marquis of Rockingham’s estate.
A 1770s map of the Wentworth Woodhouse estate marks a building called ‘The Marchioness’s Summer House’. The noble lady in question was Mary Bright, wife of the 2nd Marquess of Rockingham, twice Prime Minister of Great Britain. The summer house was situated on high ground in Tankersley Park which was home to a large herd of red deer.
‘What did Delaware?’, asks the old song. Well until January 2020 one part of the state casts off its brand new jersey and dons some brand new follies. Winterthur, near Wilmington, DA., is home to a gallery, museum and library set within 60 acres of garden and surrounded by a further 1,000 acres of park. Winterthur’s founder, Henry Francis du Pont (1880-1969), designed the garden with the architect Marian Coffin, an old friend from childhood. From around 1920 he embellished the estate with garden buildings relocated from nearby estates that were under threat, as well as creating his own follies from recycled architectural fragments.