architecture, Banqueting House, country house, garden history, Suffolk, Summerhouse

The Summerhouse, Long Melford, Suffolk

Towards the northern end of the lengthy village street of Long Melford, in Suffolk, stands Melford Hall. In a corner of the garden, overlooking the road and the green opposite, stands a rutilant brick summerhouse. Once furnished with a table and chairs, the little building must have hosted the most elegant intimate parties.

architecture, Devon, Folly, Rustic shelter, Summerhouse

The Summerhouse, Sticklepath, Devon.

On the quiet main street that runs through the village of Sticklepath, near Okehampton, stands a former works known as the Finch Foundry. It has been redundant since the 1960s, and is now a museum. Passing through an arch to the side of the works, the visitor is surprised to find a tranquil garden and beyond it a burial ground where the only noise is the rumbling of the river Taw. In the corner of the burial ground is a little thatched shelter, and more recently it has been joined by the most perfect of nineteenth-century rustic summerhouses.

architecture, Banqueting House, belvedere, Cornwall, eyecatcher, Summerhouse

The Summerhouse, or Lookout Tower, Boscastle, Cornwall

On a promontory overlooking the harbour at Boscastle stands a squat white building bedecked with flags and antennas. It started life in the middle of the 18th century when it was erected as a summerhouse and eye-catcher by Cotton Amy, whose Botreaux Castle estate included the harbour and lands around it. In 1821 the land was purchased by Thomas Rickard Avery, a local merchant and, depending on who you believe, a ‘notorious wrecker’.

architecture

The Gothic Temple, or Mausoleum of Princess Charlotte, Claremont, Surrey

Soon after her marriage in 1816 Princess Charlotte of Wales, only daughter of the future George IV and his estranged wife Caroline of Brunswick, settled at Claremont House in Surrey with her husband Prince Leopold of Saxe-Coburg. The Princess ordered the construction of a gothic summerhouse on the spot where she first alighted on the estate, and called the retreat her ‘House on the Hill’. In the spring of 1817 there was great public rejoicing when it became known that the Princess was expecting a child who might one day be king or queen.

architecture, country house, eyecatcher, Folly, garden history, landscape garden, Menagerie, South Yorkshire, Temple

The Gothic Temple, Wentworth Castle, South Yorkshire

In the middle of the 18th century the Earl of Strafford was embellishing his seat at Wentworth Castle near Barnsley in South Yorkshire. A new wing was added to the mansion and the grounds were decorated with temples, columns and garden seats. Strafford asked his lifelong friend Horace Walpole for advice on an ornament for his menagerie, and this little gothic temple was the result.

architecture, country house, Devon, Folly, Temple

Agatha Christie’s ‘Dead Man’s Folly’

In 1954 Agatha Christie wrote a novella which was intended to raise money for her local church. Upon completion she was so taken with the story that she decided to develop it into a full novel, and submitted a different story to the fundraising effort. The work she had originally written was called Hercule Poirot and the Greenshore Folly, and this work was expanded and eventually published in 1956 as Dead Man’s Folly. 

architecture, belvedere, Cornwall, eyecatcher, Folly, garden history, landscape, Tower

The Prospect Tower, Cotehele, Cornwall

Cotehele stands just on the Cornwall side of the river Tamar that forms the boundary with Devon. The estate was the ancient seat of the Edgcumbes, but by the 18th century it was a secondary residence, with the family preferring nearby Mount Edgcumbe, overlooking Plymouth Sound. On high ground above the house at Cotehele stands this solitary three-sided tower, of which little seems to be known. No inscriptions give even a hint of its history.