Having fallen in to serious disrepair, the Hermitage at Kedleston was restored by the National Trust in 2016. The project was made more difficult because a large, and very lovely, plane tree has established itself alongside the building, which also makes (non-professional) photography something of a challenge.
‘The fast lock’d tower where ivy loves to creep,
Seems like the remains of some old Castle Keep’
So wrote the little-known Yorkshire poet Robert Carrick Wildon, in contemplative mood, at The Ruin in around 1850. His poem ‘Lines suggested while sitting at the Ruins’ was recently discovered and you can read it all here http://www.friendsofstives.org.uk/history/the_ruins.php
The Ruin, as it is called on the earliest OS maps, was built by Benjamin Ferrand and is inscribed with his initials and the year 1796. Also known as Ferrand’s Folly, or Harden Grange Folly, there is no explanation for why it later became known as St David’s Ruin.
Capability Brown drew up a plan for the landscape at Whitley Beaumont which was implemented by Richard Beaumont in the 1780s. The Monument was probably built as an eye-catcher from a new carriage drive, and existed by 1822 when it is shown on an estate map, but not named. It is marked as ‘The Monument’ on the 1850s ordnance survey map but no-one remembers why it was given this name, or what it might be a monument to.
Built of fragments of masonry, probably rescued from a remodelling of the hall, and embellished with battered statuary, this is a fabulous folly and was surely designed by the family themselves. It’s unlikely an eminent architect would wish to take the credit.
The monument fell into disrepair during the two world wars when the park was used for army training and mined for coal as part of the war effort. Today the fragments survive as a forlorn and overgrown pile of stones.
The park at Whitley Beaumont is strictly private.
In July 2018 planning permission was granted for a huge development to the west of Loughborough which will include 3,200 new homes, two schools and retail and industrial estates.
The site adjoins the Grade II listed park of the former Garendon Hall. The mansion was requisitioned in the Second World War and allowed to deteriorate in the subsequent decades. It was eventually demolished in 1964 and the rubble used in the foundations of the M1 motorway.
The Folly Flâneuse recently enjoyed a great day at The Print Project in Shipley, West Yorkshire, learning all about letterpress printing. Owner Nick was patient, erudite and entertaining; chatting about the history of print as we worked on the practical stuff. So many common phrases come from the world of printing, he explained, so I was grateful not to be ‘out of sorts’ and was careful to ‘mind my Ps and Qs’. I know I ‘made an impression’ as here it is above. In fact I made a hundred impressions and it was hard work.
‘What did Delaware?’, asks the old song. Well until January 2020 one part of the state casts off its brand new jersey and dons some brand new follies. Winterthur, near Wilmington, DA., is home to a gallery, museum and library set within 60 acres of garden and surrounded by a further 1,000 acres of park. Winterthur’s founder, Henry Francis du Pont (1880-1969), designed the garden with the architect Marian Coffin, an old friend from childhood. From around 1920 he embellished the estate with garden buildings relocated from nearby estates that were under threat, as well as creating his own follies from recycled architectural fragments.
This gothic fragment can be found in the public park surrounding Clitheroe Castle in Lancashire. It was given to the town by Captain Sir William Brass, the local MP, to mark the coronation of King George VI in 1937. The pinnacle was rescued from the masons’ yard after it was removed as part of the extensive repairs to the stonework of the Houses of Parliament begun in the 1930s. The ladies bowling team selflessly allowed their green to be converted into a rose garden to surround the pinnacle.
Dated 1792 the temple in the park of Swinithwaite Hall was built as a banqueting house and belvedere to enjoy ‘the most strikingly beautiful and picturesque scenery of the valley and the whole range of its western mountains’. The valley in question is that of the river Ure, and the most dramatic feature of the vista was the ‘grand and majestic falls […] over the rocks of Aysgarth’, a view that is still partially intact today. The temple was a short ride away from the hall and set within its own miniature pleasure ground with ‘ornamental timber and shrubberies.’ A panel above the door shows a talbot, a breed of dog associated with hunting, suggesting that the temple may also have been used as a grandstand for watching the chase in the valley below.
A recent revelation on a private estate in South Yorkshire. Whilst wandering the grounds with the owner she mentioned it only as an aside: “I don’t suppose you are interested in the hermit’s cave?”. Not even the torrential April rain could dampen my spirits, although photos had to wait for more congenial weather. No history has been found to date, and it’s not even on O.S. maps, but appetites have been whetted…
The National Trust has applied for Listed Building Consent to place two replica busts in the Temple of Piety at Studley Royal.
Construction of the temple overlooking the Moon Ponds took place in the 1730s, probably under the direction of the stonemason John Doe. The architect is not known although the building is identical to a Palladio drawing of the (long since destroyed) Temple of Piety in Rome. This sketch was once owned by Lord Burlington, a friend of John Aislabie who owned Studley.