In the early 19th century the Reverend William Wordsworth (1783-1869) built an observatory on high land near the village of Monk Bretton. The lofty landmark was demolished in the mid-20th century, and is known today only from a few photographs.
The Revd Dr Thomas Sharp (1693-1758) was a son of Dr. John Sharp, Archbishop of York. He followed his father into an ecclesiastical career and became Archdeacon of Northumberland, Prebendary of Durham and Rector of Rothbury. During his incumbency in Rothbury he built this tower as an observatory, and to create employment for the local population.
On the edge of the town of Wigan stands Haigh Hall, described in 1745 as a ‘good old house and wood in a very pretty situation’. On rising ground above Haigh Hall (pronounced Hay) there once stood a substantial landscape feature which housed an observatory. A pair of paintings with an interesting history help tell the tale.
Brizlee Tower* stands high on Brizlee Hill, near Alnwick, and overlooks Hulne Park, a detached pleasure ground close to the Duke of Northumberland’s principal park at Alnwick Castle. It was built in the late 18th century as a prospect tower and eye-catcher, and also as an object to be visited on a drive from the castle through Hulne Park.
Barbara Jones, the first person to write a comprehensive account of follies in Britain, saw this building and was underwhelmed. In the 1953 first edition of Follies & Grottoes she described it as ‘gutted’ and full of pigeon’s nests, and concluded that ‘no amount of bird life can divest this folly of its ordinariness’. If only she had seen it in its prime: a sketch by the itinerant artist and drawing master J.C. Nattes dated 1807 shows an enchanting little building.
Bambro’ Castle, as it was called, was named in honour of the Bamburgh family, former owners of Howsham. It is not recorded if the builder, Nathaniel Cholmley, was consciously allying his diminutive structure with the somewhat grander Bamburgh Castle on the Northumberland coast. It was extant by 1791, when it is named as ‘Bamburgh Castle House’. The gothic detail is similar to that on the nearby Howsham Mill which is attributed to John Carr of York. Lancelot ‘Capability’ Brown is known to have drawn up a plan for Howsham, and these buildings ‘punctuating’ and ornamenting the landscape may have been his suggestion. Sadly little archival material for this period has survived for Howsham.
The folly served a dual purpose. By day, it was a summer-house for refreshments when riding through the ornamental woodland on the Howsham estate. Furnished with a ‘Chintz sofa’, an octagonal mahogany dining table, painted and gilded chairs and all the paraphernalia for serving lemonade, tea and cake it must have been an idyllic retreat. As night fell it perhaps became an observatory for it housed a ‘large Tellescope’.
Jones was one of the last to record the building. Soon after it deteriorated further and was eventually demolished as the ornamental woodland gave way to commercial forestry. Visitors in the 1980s were sad to find it gone.
Surely Barbara Jones was let down by her memory? The two photos above are from from her own files (generously shared from a private collection). How could she describe this folly as ordinary?
Howsham Hall is an events venue and there is no public access. Howsham Mill is open regularly https://www.howshammill.org.uk
Thank you for reading. Please scroll down to the comments box to share any thoughts.
