architecture, Folly, garden, landscape, Rustic shelter, South Yorkshire, Summerhouse

Deffer Wood summerhouse, Cannon Hall, Barnsley, South Yorkshire

Deffer Wood summer house, Cannon Hall, Barnsley

Root houses, so named because they incorporated natural materials such as tree trunks, branches, bark, moss or heather, became key features of gardens and parks in the 18th century. Richard Payne Knight summed up the genre in his poem The Landscape in 1794

The cover’d seat, that shelters from the storm,
May oft a feature of the landscape form,
Whether composed of native stumps and roots,
It spreads the creeper’s rich fantastic shoots;

Folly, garden, Grotto, landscape, Northumberland, Tower

Hartburn Tower and Grotto, Hartburn Glebe, Northumberland

John Sharp became the incumbent of Hartburn, near Morpeth, in 1749 and this curious tower was built soon after; it was originally used as a schoolhouse and to house the parish hearse. Sharp contributed to the cost from his own pocket, but reaped the benefits as the tower also served as an eye-catcher from his ornamented grounds in the valley of the Hart Burn that gives the village its name.

architecture, eyecatcher, Folly, landscape, North Yorkshire, Summerhouse, Temple

Temple on Round Howe, Richmond, North Yorkshire

View of the Round Howe near Richmond by George Cut 1788. Courtesy of The Met, New York, accession 65.251.2 Gift of Mrs. William M. Haupt, from the collection of Mrs. James B. Haggin, 1965

Clarkson’s History of Richmond, revised in 1821, recounts that Cuthbert Readshaw created a ‘highly romantic walk’ by the Swale in 1760. Cuthbert Readshaw, who died in 1773 was a merchant who lived in the Bailey (ie the market place) in Richmond, and according to his will he was in ‘the business of wine and spirits and other branches of trade’.

To access the walk 18th century visitors would have travelled downhill from the town centre and crossed the river via the Green Bridge. Promenading along the south bank of the River Swale they would have encountered the picturesque scene of leafy Billy Bank Wood (aka Bordel Bank) and occasional artful outbreaks of the craggy rock face behind. Tucked in the woods was the cleft or cave known as Arthur’s Oven, conjuring romantic images of ancient and wilder times.