architecture, eyecatcher, Gloucestershire, Monument, Tower

The Tyndale Monument, North Nibley, Gloucestershire.

In the early 1860s it was proposed that a monument should be erected to William Tyndale, the man who in 1526 produced the first printed edition of the New Testament in English. His aim was that it could be read by everyday people in their own tongue. This was forbidden by the Church, and Tyndale was executed for heresy in 1536. The foundation stone of his monument was laid in May 1863 and ever since the monument has been a landmark for travellers on Gloucestershire’s quiet byroads or, more recently, the swarming lanes of the M5 motorway.

Tyndale translating the bible. Engraving by George Raphael Ward after Alexander Johnson 1856. BM 1885.1114.43 © The Trustees of the British Museum. Shared under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) licence.

The residents of North Nibley believed that Tyndale was born in their village in around 1484, and that the monument should be built on the hill called Nibley Knoll which overlooked the settlement. But others steadfastly maintained that Tyndale should be commemorated on nearby Stinchcombe Hill, which location also claimed links to the Tyndale family. Whilst the dispute continued, subscriptions to the fund to finance the tower were slow to arrive, with both sides encouraging their supporters not to contribute until the site was finalised in their favour.

In 1861 it was suggested that the ‘division of feeling’ might render the project ‘tame and impotent’. But eventually it was agreed that the monument would be built on Nibley Knoll, and the organisers were confident that subscriptions would then ‘flow in’. This wasn’t to be, and when the foundation stone was laid in May 1863 there was still only £800 of the required £1,500 in the bank.

Undated postcard of the ceremonial trowel now in the collection of Wotton-under-Edge Historical Society. Image courtesy of Wotton-under-Edge Historical Society and Heritage Centre.

The ceremony to lay the foundation stone was carried out with great pomp, with bands accompanying the dignitaries up to the tower and the local paper reckoning that a crowd of 10,000 was present. There were hymns, psalms, prayers, speeches and votes of thanks and the Hon. F.W.F. Berkeley M.P. laid the foundation stone with the obligatory commemorative silver trowel.

A ‘leaden box’ containing a bible and a scroll in a bottle was originally laid in a recesss below the foundation stone, but as the tower began to gain height the work was found to be unsatisfactory, and it was pulled down and rebuilt. The current whereabouts of that bible are unknown, but Wotton-under-Edge museum has copies of the bibles presented to the men who built the tower.

The bookplate pasted onto the marbled endpaper of the bible presented to each of the men who built the tower. Image courtesy of Wotton-under-Edge Historical Society and Heritage Centre.

The architect appointed to design the monument, in the form of a prospect tower, was Samuel Sanders Teulon of London. This was presumably on Lord Ducie’s recommendation, as Teulon had designed his new home, Tortworth Court, a few years previously. The contractor was Mr Jackson of Uley, and Dr Antonio Salviati of Venice was commissioned to create a ‘large mosaic cross’ as the finial.

The monument as pictured in the Illustrated London News in November 1866.

In November 1866 Lord Ducie performed the inauguration of the monument, and there was a final appeal for donations to clear the remaining shortfall of £300. The finished tower stands 111 feet high, excluding the cross, and a roundel above the door carries the inscription:

ERECTED A.D. 1866
IN GRATEFUL REMEMBRANCE OF
WILLIAM TYNDALE
TRANSLATOR OF THE ENGLISH BIBLE
WHO FIRST CAUSED THE NEW TESTAMENT
TO BE PRINTED IN THE MOTHER TONGUE
OF HIS COUNTRYMEN
BORN NEAR THIS SPOT HE SUFFERED
MARTYRDOM AT VILVORDE IN
FLANDERS ON OCT 6TH 1536

Postcard franked 1931. Courtesy of a private collection.

The monument became a popular destination for ramblers and picknickers who could admire the vast panorama over the Bristol Channel into Wales. In the 1930s one visitor wrote that the garage proprietor in North Nibley kept the ‘great nine-inch key to this stone column, and for threepence he will let you have the loan of it’. Although not impressed by the design, the writer Malachi Whitaker walked up to the ‘grim-looking monument, commemorating Tyndale, the man who did something to the Bible, which I have ungratefully forgotten’ and admired the prospect of hills and valleys and a ‘perfect evening sky’.

Undated early 20C postcard. Courtesy of a private collection. The fact that the grocer is selling ‘Tower Tea’ is a coincidence, and nothing to do with the monument. This view can still be seen today, although it now includes a mess of telegraph poles and wires and street furniture.

Barbara Jones, never one to repress her true thoughts, called the monument ‘an unspeakably ugly sleazily tapering stone tower’ (Follies & Grottoes, 1974). The Flâneuse rather likes it, and it was worth the steep and muddy climb to the plateau on which the tower stands on a wild and windy day.

There’s not space here to go into the life and work of William Tyndale, but there’s an excellent account on the North Nibley website if you would like to know more. The website also has directions to the monument, which is only accessible on foot. The door is open and you can climb to the top to appreciate the view.

If you visit the tower (grade II*) don’t miss the opportunity to visit the lovely little Wotton-under-Edge Heritage Centre. As well as a fascinating local history collection there are currently displays featuring Isaac Pitman (1813-1897), who invented shorthand in the town, and poet and writer Sophie Gaudier-Brzeska (1872-1925), who lived in the town for a few years from 1916.

As it was a dull January day when the Flâneuse visited the monument, here is Sophie Gaudier-Brzeska’s Landscape with Houses and Sun to bring a little cheer.

Although known mainly as a poet and writer, Gaudier-Brzeska was an occasional artist. This undated work is in the collection of the National Galleries of Scotland. Photo: National Galleries of Scotland.

There are plans to celebrate the quincentenary of Tyndale’s achievement (1526-2026) and you can read more on the Tyndale Society website.

Thank you for reading. Your thoughts are always welcome – simply scroll down to the foot of the page to find the comments box.

architecture, garden history, Gloucestershire, landscape garden, Sculpture, Summerhouse

Pope’s Seat, Cirencester Park, Gloucestershire

In the vast park of Cirencester House, adjoining the town of the same name, a pretty rusticated temple sits in an opening called Seven Rides. This is the point where avenues cut through the woodland meet, giving long vistas in each direction. It was named Pope’s Seat after the poet, Alexander, who designed it for his friend Lord Bathurst.

Pope’s Seat as photographed by Henry Taunt in 1883. Courtesy of Oxfordshire History Centre POX0150400

Alexander Pope (1688-1744) was a good friend of Allen Bathurst, 1st Earl of Bathurst (1684-1775), who in the early eighteenth century was laying out pleasure grounds and parkland at his seat on the edge of the town of Cirencester. By 1742 Lord Bathurst’s demesne was described as ‘a fine park […] adornd wth several beautifull buildings’. Pope is said to have offered advice on this landscaping and designed this alcove, which was named in his honour – ‘POPES SEAT’ is engraved on a stone above the entrance.

The Flâneuse is delighted to announce that a diminutive new version of the summerhouse has been added to the Cirencester Park landscape. Bristol based woodcarver Andy O’Neill started his working life as a graphic designer, before a desire to work outdoors led to a new career as a tree surgeon. Then, combining his creative and arboricultural talents, he began to create sculptures with a chainsaw.

Andy O’Neill working on the sculpture. Photo courtesy of the Bathurst Estate.

When a decaying cedar had to be felled in Cirencester Park, Lord Bathurst saw the opportunity to use some of the timber to create a bench on the Broad Avenue, which runs for around six miles through the estate. In consultation with Andy it was decided to decorate it with Pope’s Seat in miniature.

The bench with Hamish Mackie’s Andalusian Stallion in the background. This front looks down the Broad Avenue to the town of Cirencester.
A glimpse of the statue through the alcove’s open arch.
The back of the ‘new’ Pope’s Seat which looks up the Broad Avenue towards where its much older big brother stands.
The seat enjoys a peep to the Queen Anne Monument.

Pope’s Seat is listed at grade II*. It and other fascinating ornaments can be seen when exploring Cirencester Park. For more information visit https://www.bathurstestate.co.uk

For more on Andy’s work see https://wildwoodcarving.co.uk

Sculptor Hamish Mackie has four sculptures on display in Cirencester Park this summer. There’s more on the estate website (link above).

Thank you for reading and do get in touch if you have any thoughts you’d like to share. Scroll down to the foot of the page to find the comments box.

architecture, belvedere, eyecatcher, Folly, garden history, Gloucestershire, Observatory, Tower, Worcestershire

Guy’s Folly, or The Round Tower, Icomb, Gloucestershire

Undated postcard of Icomb Tower, courtesy of a private collection.

The Round Tower, aka Guy’s Folly, stood on high ground to the west of what is now the A424 between Stow on the Wold and Burford. Sadly, this lovely little folly was demolished in the 1970s to make way for a B.B.C. transmission mast. Both Napoleon and Kitchener make an appearance in its rather hazy history…

architecture, Folly, garden, garden history, Gloucestershire, landscape, Summerhouse, Temple

Temple of Vaccinia, Dr Jenner’s House, Berkeley, Gloucestershire

Postcard c.1912 courtesy of the Dave Martin Collection.

With vaccines very much in the news at the moment, The Folly Flâneuse was reminded that a little rustic hut, in a garden in Gloucestershire, played a role in the development of inoculation in Britain and across the world. In May 1796 Edward Jenner successfully vaccinated a child against smallpox, and as news of his work spread globally, he began to inoculate the poor of his neighbourhood in this summerhouse in his garden.

architecture, eyecatcher, Folly, garden, Gloucestershire, landscape, Summerhouse, Temple

The Gothic Summerhouse, Barnsley House, Gloucestershire

Barnsley House, in the village of the same name, is one of those picture-perfect Cotswold manor houses of exquisite honey-coloured stone. Built in the last years of the 17th century it passed through various owners, and served as the Rectory, before being purchased by the Verey family in 1939. It came to fame a generation later when David Verey, an architectural historian, and his wife Rosemary inherited the house. Rosemary Verey went on to create one of the most famous gardens in Britain, and even those who have never visited (including, until this week, The Folly Flâneuse) would recognise the laburnum avenue underplanted with alliums that has graced many a calendar and greetings card.