eyecatcher

architecture, eyecatcher, Gloucestershire, Monument, Tower

The Tyndale Monument, North Nibley, Gloucestershire.

Posted on by Editor

In the early 1860s it was proposed that a monument should be erected to William Tyndale, the man who in 1526 produced the first printed edition of the New Testament in English. His aim was that it could be read by everyday people in their own tongue. This was forbidden by the Church, and Tyndale was executed for heresy in 1536. The foundation stone of his monument was laid in May 1863 and ever since the monument has been a landmark for travellers on Gloucestershire’s quiet byroads or, more recently, the swarming lanes of the M5 motorway.

Tyndale translating the bible. Engraving by George Raphael Ward after Alexander Johnson 1856. BM 1885.1114.43 © The Trustees of the British Museum. Shared under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) licence.

The residents of North Nibley believed that Tyndale was born in their village in around 1484, and that the monument should be built on the hill called Nibley Knoll which overlooked the settlement. But others steadfastly maintained that Tyndale should be commemorated on nearby Stinchcombe Hill, which location also claimed links to the Tyndale family. Whilst the dispute continued, subscriptions to the fund to finance the tower were slow to arrive, with both sides encouraging their supporters not to contribute until the site was finalised in their favour.

In 1861 it was suggested that the ‘division of feeling’ might render the project ‘tame and impotent’. But eventually it was agreed that the monument would be built on Nibley Knoll, and the organisers were confident that subscriptions would then ‘flow in’. This wasn’t to be, and when the foundation stone was laid in May 1863 there was still only £800 of the required £1,500 in the bank.

Undated postcard of the ceremonial trowel now in the collection of Wotton-under-Edge Historical Society. Image courtesy of Wotton-under-Edge Historical Society and Heritage Centre.

The ceremony to lay the foundation stone was carried out with great pomp, with bands accompanying the dignitaries up to the tower and the local paper reckoning that a crowd of 10,000 was present. There were hymns, psalms, prayers, speeches and votes of thanks and the Hon. F.W.F. Berkeley M.P. laid the foundation stone with the obligatory commemorative silver trowel.

A ‘leaden box’ containing a bible and a scroll in a bottle was originally laid in a recesss below the foundation stone, but as the tower began to gain height the work was found to be unsatisfactory, and it was pulled down and rebuilt. The current whereabouts of that bible are unknown, but Wotton-under-Edge museum has copies of the bibles presented to the men who built the tower.

The bookplate pasted onto the marbled endpaper of the bible presented to each of the men who built the tower. Image courtesy of Wotton-under-Edge Historical Society and Heritage Centre.

The architect appointed to design the monument, in the form of a prospect tower, was Samuel Sanders Teulon of London. This was presumably on Lord Ducie’s recommendation, as Teulon had designed his new home, Tortworth Court, a few years previously. The contractor was Mr Jackson of Uley, and Dr Antonio Salviati of Venice was commissioned to create a ‘large mosaic cross’ as the finial.

The monument as pictured in the Illustrated London News in November 1866.

In November 1866 Lord Ducie performed the inauguration of the monument, and there was a final appeal for donations to clear the remaining shortfall of £300. The finished tower stands 111 feet high, excluding the cross, and a roundel above the door carries the inscription:

ERECTED A.D. 1866
IN GRATEFUL REMEMBRANCE OF
WILLIAM TYNDALE
TRANSLATOR OF THE ENGLISH BIBLE
WHO FIRST CAUSED THE NEW TESTAMENT
TO BE PRINTED IN THE MOTHER TONGUE
OF HIS COUNTRYMEN
BORN NEAR THIS SPOT HE SUFFERED
MARTYRDOM AT VILVORDE IN
FLANDERS ON OCT 6TH 1536

Postcard franked 1931. Courtesy of a private collection.

The monument became a popular destination for ramblers and picknickers who could admire the vast panorama over the Bristol Channel into Wales. In the 1930s one visitor wrote that the garage proprietor in North Nibley kept the ‘great nine-inch key to this stone column, and for threepence he will let you have the loan of it’. Although not impressed by the design, the writer Malachi Whitaker walked up to the ‘grim-looking monument, commemorating Tyndale, the man who did something to the Bible, which I have ungratefully forgotten’ and admired the prospect of hills and valleys and a ‘perfect evening sky’.

Undated early 20C postcard. Courtesy of a private collection. The fact that the grocer is selling ‘Tower Tea’ is a coincidence, and nothing to do with the monument. This view can still be seen today, although it now includes a mess of telegraph poles and wires and street furniture.

Barbara Jones, never one to repress her true thoughts, called the monument ‘an unspeakably ugly sleazily tapering stone tower’ (Follies & Grottoes, 1974). The Flâneuse rather likes it, and it was worth the steep and muddy climb to the plateau on which the tower stands on a wild and windy day.

There’s not space here to go into the life and work of William Tyndale, but there’s an excellent account on the North Nibley website if you would like to know more. The website also has directions to the monument, which is only accessible on foot. The door is open and you can climb to the top to appreciate the view.

If you visit the tower (grade II*) don’t miss the opportunity to visit the lovely little Wotton-under-Edge Heritage Centre. As well as a fascinating local history collection there are currently displays featuring Isaac Pitman (1813-1897), who invented shorthand in the town, and poet and writer Sophie Gaudier-Brzeska (1872-1925), who lived in the town for a few years from 1916.

As it was a dull January day when the Flâneuse visited the monument, here is Sophie Gaudier-Brzeska’s Landscape with Houses and Sun to bring a little cheer.

Although known mainly as a poet and writer, Gaudier-Brzeska was an occasional artist. This undated work is in the collection of the National Galleries of Scotland. Photo: National Galleries of Scotland.

There are plans to celebrate the quincentenary of Tyndale’s achievement (1526-2026) and you can read more on the Tyndale Society website.

Thank you for reading. Your thoughts are always welcome – simply scroll down to the foot of the page to find the comments box.

architecture, East Riding of Yorkshire, eyecatcher, Folly, garden history, Monument, Sham Ruin, Summerhouse

Albina’s Tomb, Hedon, East Riding of Yorkshire.

Posted on by Editor

In October 1834 workmen discovered a dungeon, or cell, when digging for stone on Market Hill in Hedon, in that part of the East Riding of Yorkshire known as Holderness. It was ‘several yards square’ with stone walls, and ‘a few remnants of military trappings’. James Iveson, an antiquary of the town, took possession of stone from the chamber and removed it to his nearby home. There he already had a hoard of carved stone, salvaged from the remodelling or demolition of churches in Hedon and beyond, and he used these fragments to create a sham tomb in his garden.

architecture, belvedere, eyecatcher, Folly, garden history, Lincolnshire, Sham Ruin, Summerhouse

The Folly, Brackenborough Hall, near Louth, Lincolnshire

Posted on by Editor

In 1836 General Loft, a committed church-crawler, visited Fotherby, near Louth in Lincolnshire, and found the ancient fabric of the church of St Mary’s ‘now terribly mutilated’. In the later 1850s a major rebuild was proposed, and the Bishop of Lincoln threw his weight behind the appeal with a donation of £20. James Robson, tenant and later owner of Brackenborough Hall, an attractive moated Georgian house about a mile from the church, was also a donor. As work got underway, he salvaged some of the stone from the old church and used it to build a sham ruin on a mound in the corner of his garden.

architecture, eyecatcher, Folly, garden history, Grotto, sham church, Sham Ruin

Hockley Abbey, Birmingham, West Midlands.

Posted on by Editor

Hockley Abbey was built in around 1779 by Richard Ford, an ‘ingenious mechanic’, out of the waste or dross from a nearby furnace. Built in the form of a semi-ruinous monastic edifice, Ford had the date of 1473 picked out in pebbles on the front ‘as a false suggestion of antiquity’, although this was soon covered over by the ivy which he encouraged to creep all over his new home. The house was demolished in the second half of the nineteenth century, but is remembered in paintings, prose and poetry.

architecture, bridge, Chinoiserie, eyecatcher, Folly, Pagoda, Pleasure Gardens, Sculpture, Summerhouse, Temple

Follies for breakfast.

Posted on by Editor

In the 1980s follies played a part in promoting a new breakfast cereal: special packs of Kellogg’s Nutri-Grain contained picture cards featuring ‘Gardens to Visit’. The twenty cards were illustrated with views of gardens in Britain and Ireland, all of them open to the public, and five follies or quirky garden ornaments were among the cards to be collected. As the blurb on the box announced ‘Most of us are enchanted by the magic of a beautiful garden’.

Arch, architecture, eyecatcher, Folly, garden history, Summerhouse, wiltshire

The Porch, Bourne Hill Gardens, Salisbury, Wiltshire.

Posted on by Editor

In the last years of the eighteenth century, Shute Barrington, Bishop of Salisbury, commissioned James Wyatt to carry out repairs to Salisbury Cathedral. In an act that would be described as ‘outrageous’ by later generations, Wyatt removed an ancient porch. The Dean and Chapter, recognising that prominent citizen Henry Penruddocke Wyndham knew how to ‘appreciate such curious monuments of antiquity’, presented him with the ‘elegant remnant’ which he re-erected as a feature in his garden.

architecture, country house, eyecatcher, garden history, landscape garden, Norfolk, Summerhouse, Temple

The Seat on the Mount, Holkham, Norfolk

Posted on by Editor

In the 1740s William Kent designed a new garden ornament for Thomas Coke of Holkham. An artificial hillock was constructed on which the temple was to stand, giving it the name the Seat on the Mount. The temple was later pulled down, but fragments of the four busts which once decorated it were salvaged, and incorporated into a cottage in a nearby village. The Flâneuse has written about follies built from the remnants of houses, but a cottage decorated with the remnants of a garden temple is something new.

architecture, belvedere, eyecatcher, Folly, hermitage, Scotland, Sham Ruin, Summerhouse, Temple

‘Features and Follies’ of Scotland

Posted on by Editor

Hubert Walter Wandesford Fenwick, architect turned architectural historian and writer, was a regular contributor to The Scots Magazine, a monthly publication that claims to be the oldest magazine in Britain still in publication, having been launched in 1739. In 1965 Fenwick wrote an article about ‘Features and Follies’, in Scotland, illustrated with his own very attractive colour sketches.

Arch, architecture, eyecatcher, garden history, Leicestershire

‘The Gateway’, Breedon-on-the-Hill, Leicestershire

Posted on by Editor

The Flâneuse recently puzzled over this black and white photograph of a tall archway that is annotated ‘Breedon-on-the-Hill’. Internet searches using every combination of the village name with ‘arch’, ‘gate’ and ‘folly’, and as many other ideas as the Flâneuse could come up with, drew a complete blank. But driving into the village there it was, just to our right, and unchanged since the older photograph was taken.

Note the lovely zig zag, or chevron, detail above both arches. This echoes the decoration of doors and windows at the village church.

A little way further along the wall from the gateway three letters are created from a patchwork of stone blocks near the entrance to a busy quarry. They abbreviate the former name of the works, the Breedon and Cloud Hill Lime Works Company: Breedon has been the site of quarrying and lime extraction since the eighteenth-century.

Aerial photographs of the quarry, taken in the middle of the twentieth century, show the gateway standing in what appears to be a bare plot, but it is still not immediately clear what purpose the arch serves.

This aerial photograph from 1939 shows the gateway. Look in front of the building with ‘BREEDON WORKS’ painted on the roof, lower centre.

Happily the excellent Breedon-on-the-Hill parish website has links to two volumes of pictorial history which explain that the ‘gateway’ was the centrepiece of a rockery, one of a number built by the owner of the quarry to beautify the village. By the late 1950s the village had become known for these rockery gardens of ‘artistic stonework’ which were planted with flowers and full of ‘vital colour’. According to the history, much of the rockwork was created freehand by Lawrence Wakefield, although the archway is not specifically attributed to him.

For much of the twentieth century the quarry was owned and/or managed by the Shields family. In 1959 Captain C.F. Shields, Managing Director of the works, told a reporter from the Leicester Evening Mail that providing good houses for workers, and ornamenting the village, was ‘making a return’ for ‘despoiling the rock that gives the village its name and character’. And of course the stonework was a great advertisement for the company’s products which included ‘rockery and grotto stone’.

The photograph taken  by Neville Hawkes in March 1965 which set the Flâneuse a new challenge to find out more. Neville and William Hawkes Collection, reproduced courtesy of the Folly Fellowship. ©Folly Fellowship.

Through the archway, which stands on the village’s Main Street, are steps leading up to the quarry offices, although sadly they now terminate in a ‘keep out’ sign.

If visiting Breedon-on-the-Hill don’t miss the village’s other attractions which include an eighteenth century lockup and the very pleasing War Memorial to those lost in the First and Second World Wars.

The war memorial, built with stone donated by J.G. Shields, the then owner of the quarry.

Take time to explore the church of St Mary and St Hardulph, which stands high above the village close to the quarry face (it is just out of shot in the aerial photo’ – it stands on the plateau above the quarry face on the right). As well as important Anglo-Saxon sculpture there are also fine tombs, including a vast monument to Sir George Shirley and his family, dated 1598, which features this intricate life-size memento mori.

Thank you for reading and do please get in touch if you know more about the arch, or would like to share any thoughts. The comments box can be found at the foot of the page.

P.S. A well-known landscape ornament has been in the news this week and deserves a mention. Beckford’s Tower, near Bath, won the Award for Restoration of a Georgian Building in a Landscape at the Georgian Group Architectural Awards 2025. Congratulations to all the team at the Bath Preservation Trust

architecture, belvedere, eyecatcher, Folly, Surrey, Tower

The Tower, Chinthurst Hill, Wonersh, Surrey

Posted on by Editor

In 1938 readers of the Surrey Advertiser were baffled by an announcement that the Earl of Inchcape was seeking permission to build a ‘Martello Tower’ on his Chinthurst Hill estate. Following up on a notice published the previous week, the paper felt the need to explain to its readers what a Martello Tower was. The article described the purpose of the defensive towers that had appeared during the Napoleonic wars, and the writer then concluded that ‘it seems improbable that Lord Inchcape’s proposed tower will be exactly similar to the coastal originals’.