John Piper’s paintings of follies and garden buildings are well-known, but less familiar are his ceramics decorated with architectural features, including a series of ‘curly dishes’ with his wonderful whimsical interpretations of 18th century designs for rustic follies.
The Folly Flâneuse is putting her feet up this week, and handing over to her very good friend The Garden Historian. As guest contributor he reveals the history of the lovely, but now lost, timber temple at Exton Park.
In 1953, when Barbara Jones coined the opening words ‘survival is capricious’ for her account of the Bark Temple in Follies & Grottoes, she was probably unaware of how prophetic they were. At the time, she mused whether it was ‘perhaps built as a band stand for dances by the lake’; yet feeling the building’s oppressiveness as it slipped into ruin, added ‘but an innocent purpose for it seems unthinkable.’ She was actually so right on the former, and so wrong on the latter.