architecture, eyecatcher, Folly, garden history, Northumberland, sham church

Newminster Abbey, Morpeth, Northumberland

In 1138 Newminster Abbey was established close to the River Wansbeck on the edge of Morpeth, Northumberland. The first inhabitants were Cistercian monks from Fountains Abbey, in Yorkshire, who remained until the abbey’s dissolution in 1537. By the 19th century little could be seen apart from scattered masonry and bumps in the ground. Early in the 20th century parts were rebuilt as a grand garden ornament and tourist attraction, with perhaps not quite the academic rigour one might expect today.

In 1912 a 25 acre parcel of land, which included Newminster Abbey and a house called Spring Hill, was bought by George Renwick. Renwick (1850-1931) was a wealthy ship-owner who had entered politics and sat for various Newcastle seats up until 1922. He was created a baronet in 1921.

George Renwick, by Benjamin Stone, platinum print, 1901, NPG x35026
© National Portrait Gallery, London

Renwick extended Spring Hill, which looked down to the site of the ancient Newminster Abbey (it was later renamed Newminster Abbey House), and began to excavate the abbey ruins, where for at least a century little had been visible above ground.

Early in the 19th century John Mordaunt Johnson (?1776-1815) included a sketch of the abbey in his journal. Osbornfd48, James Marshall and Marie-Louise Osborn Collection, Beinecke Rare Book and Manuscript Library, Yale University, USA.

The one visible structure was this arch, noted in the early 19th century as the ‘last remaining arch of Newminster Abbey’.

Newminster Abbey, artist unknown, 1780, Kings Topographical Collection, British Library KTop XXXIII/19.

Renwick’s excavations revealed artefacts, burial sites and large quantities of masonry hidden under the earth and rubble. A hoard of silver coins dating from the 11th and 12th centuries was discovered and donated to the British Museum in 1926. Renwick dug up the genuine fragments and used them, like a giant mediaeval Lego set, to create ‘beautiful arcading’.

An early photographic view of Renwick’s reconstruction of the cloisters by Godfrey Bingley (1842-1927). Godfrey Bingley Photographic Archive MS1788/60/52 ©University of Leeds

Sir George invited the members of Morpeth Town Council to his home to see the work, and explained that he hoped that the ‘long hidden portions of the once famous Abbey’ might attract visitors to the town.

The picturesque ‘ruins’ improving the view from Sir George’s house (just seen top right). Early 20th century postcard, courtesy of a private collection.

Residents were granted free access on condition that they used the ‘proper footpath’, and supported him in protecting the abbey ruins from damage and destruction. The picturesque reassembled ruins became the subject of many a picture postcard.

Postcard sent in 1917, courtesy of a private collection.

At that date no-one seems to have been particularly concerned that the ancient remains were being reconstructed as a garden ornament, although one can read between the lines of the carefully worded report that ‘extensive amateur excavation and rebuilding has taken place’.

Sadly, there is no public access to the overgrown grade II listed ruins for the townsperson or tourist of today. The site is privately-owned and hidden from view by trees and shrubs.

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2 thoughts on “Newminster Abbey, Morpeth, Northumberland”

  1. TOM GARDNER says:

    TOM (NYC) – A STRANGE ‘CONNECTIVE’ TALE – RE. RELIGIOUS STRUCTURES.

    BACK IN 1965 (59 YEARS AGO) I ENTERED A RELIGIOUS ORDER. (THE DURATION WAS LESS
    THAN A YEAR … BUT THAT’S ANOTHER STORY). MY SEMINARY WAS LOCATED IN THE SNOW ZONE OF UP-STATE – NEW YORK.
    THE ORDER HAD PURCHASED A ‘NO LONGER USED’, WW II, VET. RETRAINING CENTER.
    SINCE THE ANNUAL SNOW FALL IN THAT NORTHERN SECTION OF NEW YORK STATE IS OFTEN SIX FEET AND UP, ‘TUNNELS’ WERE ORIGINALLY INCORPORATED IN THE DESIGN. GOING FROM THE DORM. TO: THE DINING HALL; CHAPEL, OR CLASS ROOMS, OFTEN REQUIRED THE USE THOSE TUNNELS. THINKING BACK, WE WERE SORT OF LIKE THE MICE OR GERBILS IN THOSE PLASTIC TUBES. IT DID HOWEVER, KEEP US OUT OF THE RAIN AND SNOW.
    THE WHOLE POINT OF THIS COMMENTARY BEING: THE REUSE OF STRUCTURES IN CREATIVE FASHIONS IS ALWAYS AN INTERESTING TOPIC. YOUR ARTICLE BROUGHT BACK MEMORIES I HAVEN’T THOUGHT ABOUT FOR …. ‘DECADES’.
    MERCY BUCKETS,
    TOM

    1. Editor says:

      Good morning Tom. I do like your analogy of mice in plastic tubes. Thanks, as ever, for sharing your thoughts and I’m delighted these posts trigger memories of past adventures.

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