This sham castle folly was built to ornament the ‘beautiful grounds’ of the house which is now called Thornborough Hall, on the edge of Leyburn in the Yorkshire Dales*. Part of the gardens was developed for housing in the 20th century, but there is still plenty of interest if one sets off to explore the woodland behind the hall.
Tag: Barbara Jones
Oswell Blakeston’s Folly Suitcase
Oswell Blakeston (1907-1985), was born Henry Joseph Hasslacher, and created his nom de plume by condensing ‘Osbert Sitwell’, whom he admired, into ‘Oswell’ and adding his mother’s maiden name. He was a British writer and artist with wide interests, and one of his passions was follies; his role in bringing the genre to a wider audience deserves to be better known.
Broadway Tower, Worcestershire: an inspiring folly.
James Wyatt produced plans for a ‘Saxon Hexagon Tower’ for the 6th Earl of Coventry in the last years of the 18th century. After his death in 1809 it was sold and over the following centuries it became the home of a printing workshop, a retreat for members of the pre-Raphaelite Brotherhood and a farmhouse. In 1974 it became the centrepiece of a country park, and it remains so today.
Barbara Jones and the trials and triumphs of folly-spotting
Barbara Jones's sketch of a detail from the Skipton Castle grotto, executed in 1949 and published in the first edition of Follies & Grottoes in 1953.
Last week’s brief post on the sham Druid’s Temple, near Masham, was something of a preamble to The Folly Flâneuse sharing this wonderful letter written by Barbara Jones in 1949. Jones is, of course, the doyenne of folly-spotters, and in this missive she shares the ups and downs of researching for the first edition of Follies & Grottoes. It is a delight to read: camping at the Druid’s Temple, finding Hackfall, and best of all a run-in with the formidable Captain Fordyce, Agent to Lord Hothfield at Skipton Castle. Here’s the unadulterated letter in full:
Hartburn Tower and Grotto, Hartburn Glebe, Northumberland
John Sharp became the incumbent of Hartburn, near Morpeth, in 1749 and this curious tower was built soon after; it was originally used as a schoolhouse and to house the parish hearse. Sharp contributed to the cost from his own pocket, but reaped the benefits as the tower also served as an eye-catcher from his ornamented grounds in the valley of the Hart Burn that gives the village its name.
Happy 65th anniversary ‘Follies and Grottoes’
A great stumbling block in the understanding of follies is the attempt to define what exactly one is. Must it be useless? Wildly expensive? Weird? One of my favourite summaries comes from Barbara Jones, the first person to study the genre in depth in Follies and Grottoes, published by Constable 65 years ago today
She wrote that a folly ‘is built for pleasure, and pleasure is personal, difficult to define.’
The Ruin, Bingley, West Yorkshire
The Ruin, as it is called on the earliest OS maps, was built by Benjamin Ferrand and is inscribed with his initials and the year 1796. Also known as Ferrand’s Folly, or Harden Grange Folly, there is no explanation for why it later became known as St David’s Ruin.
Bambro’ Castle, Howsham, North Yorkshire
Barbara Jones, the first person to write a comprehensive account of follies in Britain, saw this building and was underwhelmed. In the 1953 first edition of Follies & Grottoes she described it as ‘gutted’ and full of pigeon’s nests, and concluded that ‘no amount of bird life can divest this folly of its ordinariness’. If only she had seen it in its prime: a sketch by the itinerant artist and drawing master J.C. Nattes dated 1807 shows an enchanting little building.
Bambro’ Castle, as it was called, was named in honour of the Bamburgh family, former owners of Howsham. It is not recorded if the builder, Nathaniel Cholmley, was consciously allying his diminutive structure with the somewhat grander Bamburgh Castle on the Northumberland coast. It was extant by 1791, when it is named as ‘Bamburgh Castle House’. The gothic detail is similar to that on the nearby Howsham Mill which is attributed to John Carr of York. Lancelot ‘Capability’ Brown is known to have drawn up a plan for Howsham, and these buildings ‘punctuating’ and ornamenting the landscape may have been his suggestion. Sadly little archival material for this period has survived for Howsham.
The folly served a dual purpose. By day, it was a summer-house for refreshments when riding through the ornamental woodland on the Howsham estate. Furnished with a ‘Chintz sofa’, an octagonal mahogany dining table, painted and gilded chairs and all the paraphernalia for serving lemonade, tea and cake it must have been an idyllic retreat. As night fell it perhaps became an observatory for it housed a ‘large Tellescope’.
Jones was one of the last to record the building. Soon after it deteriorated further and was eventually demolished as the ornamental woodland gave way to commercial forestry. Visitors in the 1980s were sad to find it gone.
Surely Barbara Jones was let down by her memory? The two photos above are from from her own files (generously shared from a private collection). How could she describe this folly as ordinary?
Howsham Hall is an events venue and there is no public access. Howsham Mill is open regularly https://www.howshammill.org.uk
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