Towards the northern end of the lengthy village street of Long Melford, in Suffolk, stands Melford Hall. In a corner of the garden, overlooking the road and the green opposite, stands a rutilant brick summerhouse. Once furnished with a table and chairs, the little building must have hosted the most elegant intimate parties.

The summerhouse was extant by the early years of the seventeenth century, and is shown on a map of Melford Hall dated 1613. It epitomises the kind of structure that John Worlidge, writing later in the same century, advised was an essential feature on a gentleman’s estate. In his Systema Horticulture of 1677 Worlidge wrote that a ‘small Edifice, usually term’d a Pleasure-house or Banquetting-house, may be made at some remote Angle of your Gardens’. The more remote the better, thought Worlidge, for the further from the mansion one went ‘the more private you will be from the frequent disturbances of your Family and Acquaintance’.

The summerhouse was modernised in the Georgian era by the splendidly named Sir Cordell Firebrace. He replaced the windows and panelled the interior. In 1873, the then owner of the estate, Sir William Parker, called the building the bowling-house, and noted that it stood alongside a bowling-green. At that date the interior was painted in white and gold and, according to Sir William, looked a little shabby.

Many generations will have retreated to this idyllic corner of the garden with the latest novel or newspaper, or perhaps a sketchbook, and no doubt liveried servants brought coffee and cake. Please excuse the Flâneuse for one moment as she drifts off into a reverie of a morning spent in such a manner…

Someone who was lucky enough to spend time at the summerhouse was author and illustrator Beatrix Potter. Potter often visited her cousin Ethel at the hall in the early years of the twentieth century, and her drawing of the then ivy-clad ‘Octagon’ is now in the collection of the Victoria & Albert Museum, London.

Visitors to the exhibition Feast and Fast: the Art of Food in Europe 1500-1800 at the Fitzwilliam Museum in 2019-20 saw the summerhouse reimagined in a new medium. Food historian and confectioner Ivan Day made the building the centrepiece of a sugar landscape in the style of those which would have graced a wedding banquet in c.1610.

Today, everyone can enjoy the building as Melford Hall is a National Trust property. As well as the summerhouse (grade II*) and hall, there are new walks out into the parkland. You can read more here.

A largely pictorial post this week as the Flâneuse is away from home rambling and researching, so thanks for viewing. Your thoughts and comments are welcome, please scroll down to the bottom of the page to get in touch.